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I always felt that Herbert Lom had a wonderful face for comedy; and here I think he stands out alongside Cecil Parker - always underrated, but who could be relied upon to deliver a standard of comedy haplessness consistently well on screen. Guinness and Sellers are doing what we know they are good at, so I was less impressed by them in this one. Katie Johnson gets many plaudits as "Mrs Wilberforce", though I wonder how much acting she was actually doing? Any interviews I have seen with her seem to suggest she was pretty much playing herself in this slightly more sinister of the Ealing comedies that sees Guinness and his cohorts pretend to be practicing musicians in her rickety old house whilst secretly planning a daring heist that could net them a massive £60,000. What follows is a classy mix of near-misses and precise comedy timing that actually can have you on the edge of your seat at times; but this is not, in my view, as good as the output from the late 40's - it sacrifices some of it's charm and humour to achieve the more ominous tone prevalent over the last half an hour, and I don't quite love that effect. It is a classic nonetheless that well deserves it's recent 4K restoration that brings the colours to life most vividly.
A film of real quality! 'The Ladykillers' is amusing viewing. It's style of comedy is very fitting of its era, but I only mean that positively as the slapstick is undoubtedly fun to watch unfold. The cast are all worthy of a mention, though the standouts for me are Alec Guinness, Herbert Lom and Katie Johnson. The flick looks splendid too, love the set of Wilberforce's home. Entertainment from start to finish, ya can't ask for more than that.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.
The Driver specializes in driving getaway cars for robberies. His exceptional talent has prevented him from being caught yet. After another successful flight from the police a self-assured detective makes it his primary goal to catch the Driver. He promises pardons to a gang if they help to convict him in a set-up robbery. The Driver seeks help from The Player to mislead the detective.
Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”
A girl who halfheartedly tries to be part of the "in crowd" of her school meets a rebel who teaches her a more devious way to play social politics: by killing the popular kids.
A myriad of outrageous calamities befalls an eccentric English clan with more than a few skeletons in its closets when the family's patriarch dies an unexpected death.
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
A grief-stricken cantor in a crisis of faith finds his world turned upside down when his grade school music teacher re-enters his life as his new adult Bat Mitzvah student. The two forlorn souls develop a special connection.
When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."