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Sally, we want you, we want you. There are times in a horror fans youth that a certain film will leave an impression that will be carried forward for ever more. In my case one such film is "Don't Be Afraid of the Dark". A cheaply made for TV picture starring Kim Darby, Jim Hutton and William Demarest. The plot on the surface is standard. Alex and Sally Farnham inherit a big old mansion from their deceased grandmother, it has a basement den room with a bricked up fireplace. Sally wants to unblock the fireplace but is advised by the family handyman that it should be left as it is. Naturally Sally goes ahead and has the fire opened up, and pretty soon she starts to hear voices and see what she thinks is little men in her midst... "Don't Be Afraid of the Dark" terrified me as a child because it played on one of my basic fears, a fear that is shared by many an impressionable child. That of something being under the bed at night time, or in the cupboard, and yes, in the walls behind the fireplace. Of course now as an adult revisiting the film it has lost the power to truly terrify me. But not once since that time as a child have I not cast a nervous smile in the direction of all the open fireplaces I've come across over the years. This is something I think one should always remember when revisiting such films from your youth, the impact back then is what's important. Now to me the film is a nostalgic trip that still retains the power to prick up those goose-bumps, and with each goose bump comes back memories of believing there was such a thing as little troll like demons out to get us. It's a cracking little chiller is this, the cast give it their all (particularly Darby) and while the effects and production are evidently low, it still carries a charm that 70s TV movies seem to carry for those that blossomed during it. Very much a cult film over the years, horror fan pressure has led to it finally getting a DVD release in August 2009. All those fans are just like me, they remembered the night that "Don't Be Afraid of the Dark" actually meant that we "would" be afraid of the dark. First time viewers to it now are unlikely to get much, if anything, from it. But don't mock or be scornful towards us, for we was there, and we carried with us that first chill for ever more. 8/10
Recovering from a toxic relationship, James Savage confronts both his inner demons and enigmatic ex-girlfriend, Janet, before she executes a world-ending ritual. James navigates her reality-bending universe of ethereal monsters while facing the truth of his own addictions and skewed sense of self-worth. James learns that the only route to love is through healing.
Ted and his family have just moved to the sleepy coastal town of Gull Island so that he can complete work on his thesis. Everything couldn’t seem more picturesque about their new, seaside home… that is, except for the increasing number of aggressively behaving birds.
The chilling and relentless Jigsaw killer returns to terrorize the city once again. When a gruesome murder victim emerges with unmistakable traces of Jigsaw's sinister methods, Detective Eric Matthews is thrust into a high-stakes investigation. To his surprise, apprehending Jigsaw seems almost too easy, but what he doesn't realize is that being caught is merely another piece of Jigsaw's intricate puzzle.
Comprised of 4 episodes from the unsold TV series The Veil (1958) - "Whatever Happened to Peggy," "Destination Nightmare," "The Return of Madame Vernoy," and "Girl on the Road.'
Comprised of 4 episodes from the unsold TV series "The Veil" (1958) - "Summer Heat," "Genesis," "Food on the Table," and "Jack the Ripper."
After a girl goes missing, two of her friends and a mysterious set of strangers find themselves drawn to the cabin in the woods where she disappeared. They will laugh, they will drink, they will kiss, they will make love, and THEY MUST ALL DIE.
When a seemingly normal malfunction occurs when trying to close his garage door, frustration changes to fear as Mike gets to grips with his vulnerability toward the unknown beyond his door and the possibility of a presence that wants to get in.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Frederick Abberline is an opium-huffing inspector from Scotland Yard who falls for one of Jack the Ripper's prostitute targets in this Hughes brothers adaption of a graphic novel that posits the Ripper's true identity.
A middle-aged professor's young bride and his assistant plan to commit a double murder disguised as a "Crime Passionel", but discover too late that one of their intended victims has become a fellow conspirator.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
