Then it really is Old Scratch knocking at the door. Something of the forgotten John Carpenter movie, Prince of Darkness shows both the good and bad side of the supremely talented director. The story is a beaut, a bit skew-whiff, but unmistakably Carpenter territory as Satan exists in some sort of parallel universe. How he manifests himself is narratively a bit tricky, but still it makes for good horror, especially as the old religious angle finds Carpenter - in the guise of Donald Pleasence - chortling away to himself in a way that Old Nick has been prone to do. Cue bugs, green goo, zombies and a centuries old sect determined to keep Satan out of our world. The scares are many, atmosphere bubbling away (in time with another of Carpenter's pulse beat synth musical scores), while the finale has a genuine surprise up its sleeve. Unfortunately the cast are playing second fiddle to the supernatural strengths, working from a script that doesn't sit at one with the screenplay, rendering the characters as uninvolving fodder. Yet be that as it may, it's still a film of delights, enough in fact to make it a top end entry on Carpenter's CV. 7/10
When an elderly priest passes away, one of his colleague discovers a mysterious green liquid hidden in a cylinder deep beneath a long-abandoned church. Rather misguidedly, as it turns out, he invites a group of enthusiastic students to come and investigate it's properties. Big mistake! It was hidden deep in the bowels of this crypt for a very good reason, and once they release it they discover that the Satanic horror they face might just be the tip of the iceberg! Donald Pleasence is strong here as the priest who realises, all too late in the day, that they are facing a terror that could jeopardise the very future of humanity... Christianity at any rate! Can he galvanise his now panic-stricken helpers to reverse the effects of the deadly gloop before they all become zombified servants of evil? The dialogue maybe isn't so hot, especially as hysteria begins to set in amongst the petrified, but the pace is great and the effects have held up remarkably well as this solid and quite menacing story builds to a genuinely exciting conclusion. The supporting cast deliver well, too and John Carpenter and Alan Howarth manage a score that adds quite a bit of peril to the accruing sense of danger the former creates throughout this rather superior drama. It's short, taut, and well worth a watch.
After a train wreck, four passengers from different walks of life are trapped together and share their recent nightmares. Masked killers, Bigfoot, crazed lovers and a Satanic cult are just the beginning of the terror as this group quickly realizes that they may have experienced more than a dream and the true nightmare is about to begin.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
Strange things begin to occurs as a tiny California coastal town prepares to commemorate its centenary. Inanimate objects spring eerily to life; Rev. Malone stumbles upon a dark secret about the town's founding; radio announcer Stevie witnesses a mystical fire; and hitchhiker Elizabeth discovers the mutilated corpse of a fisherman. Then a mysterious iridescent fog descends upon the village, and more people start to die.
Immediately after their miscarriage, the US diplomat Robert Thorn adopts the newborn Damien without the knowledge of his wife. Yet what he doesn’t know is that their new son is the son of the devil.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
Kaiju film from 1982 period that appears to be sort of a Taiwanese variation of Clash of the Titans combining elements of Japanese monster movies, old school kung fu flicks, and a bit of horror.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
When Cole stays up past his bedtime, he discovers that his hot babysitter is part of a Satanic cult that will stop at nothing to keep him quiet.