Flight Risk 2025 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
Wild Cards - (Mar 26th)
Family Feud Canada - (Mar 26th)
Selling Houses Australia - (Mar 26th)
Ishura - (Mar 26th)
Outback Opal Hunters - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
Married at First Sight - (Mar 26th)
Alone Australia - (Mar 26th)
The Dog House Australia - (Mar 26th)
Pamelas Cooking with Love - (Mar 26th)
Deal or No Deal Island After Show with Boston Rob - (Mar 26th)
The Diamond Sleeping in the Sea - (Mar 26th)
Watch What Happens Live with Andy Cohen - (Mar 26th)
Tribunal Justice - (Mar 26th)
After Midnight - (Mar 26th)
Deal or No Deal Island - (Mar 26th)
The Cook Up with Adam Liaw - (Mar 26th)
Love and Hip Hop Atlanta - (Mar 26th)
Beyond the Gates - (Mar 26th)
Highway Thru Hell - (Mar 26th)
_**Slowly turning into a monster, aka slowly succumbing to age**_ An eccentric scientist living in a warehouse laboratory in a big city in the Northeast (Jeff Goldblum) discovers how to teleport objects, which draws the attention of a journalist (Geena Davis). Everything is going fine until he foolishly uses his invention on himself and a pesky fly inadvertently teleports with him. John Getz is on hand as the woman’s editor while Joy Boushel has a notable small role as Tawny. "The Fly" (1986) has a lot of devotees presumably because of director/writer David Cronenberg, but I found it less effective compared to the 1958 version with Vincent Price. Despite the gory state-of-the-art effects, it’s just not as compelling or horrifying (especially that final scene in the original). The one-dimensional locations are also a turn-off: Excluding the great bar scene the whole movie takes place in a grungy lab or a swank office building. The cast trilogy is exceptionally tall. While Goldblum (6’4½”) is serviceable and gives it his all, he’s not leading man material, although he’s fine in secondary roles. And I was never big on Davis, but she’s a’right I guess. At least the two absolutely look & act like they were meant for each other. In its favor, the movie is a metaphor for how aging & disease slowly destroys the body. Despite the sickening visuals, it’s heartbreaking and tragic, which you might not expect in a sci-fi flick about a guy who morphs into a fly. It thankfully avoids the rut of camp and melodrama. The film runs 1 hour, 36 minutes, and was shot in Toronto with studio work done in nearby Kleinburg. GRADE: B-/C+
Nobody could ever call Jeff Goldbum a versatile actor, but here he is very much in his element as "Brundle". A madcap scientist, he dreams of being able to teleport things just like Willy Wonka does in 1971. He is almost as keen on journalist "Veronica" (Geena Davis) and so offers her exclusive access to follow and film his research. That all goes remarkably well - first a scarf, then more animated objects before, finally, himself. Snag is - well a fly just happened to sneak into the pod before the transferal and next thing he and his new dipteral cousin start a journey to the symbiotic relationship from Hell. He can crawl on the ceiling; fly and most impressively - dissolve his victims in his own vomit! David Cronenberg is having great fun with this as is Goldblum. The dialogue is entertaining and there is the most bizarre degree of chemistry between him and Davis who turns in one of her career defining performances. The visual and make-up effects - especially towards the end - offer a fitting denouement to this gory and frequently amusing sci-fi horror film that is nearly, but not quite, as good as the version from 1958. Certainly worth watching on a big screen if you can - somehow it just looks so much better there.
What was his electric bill and how did he not blow out every fuse in his building? Telepods must suck up a lot of juice. Anyway, it's fun. It is the typical 80s flick, with a plot that takes all of 5 minutes to get rolling and a cast that was talented and still cheap enough to throw in a sci-fi horror flick. But, you know, it's also mindless fun, it's not exactly deep, it's about science, and about the dangers of it, that never really manages to actually examine the dangers of science in any significant way... it's more along the lines of Kafka's Metamorphosis, which has already been examined. But it doesn't matter, because you are watching it for mindless entertainment.
The Fly is so good. Successful futurism. Seems the Fallout games benefitted. The physical effects are amazing and fun. Do not watch if gore sensitive. Why not build a smaller machine first to test on...flies, instead of going straight to human-sized machines and testing on baboons? They gotta be expensive. Mice? The ridiculous nature of the film is a delight. The performances entertain while enhancing the story (narrative). That guy is such an amazing douchebag. The film entertains and engages. Rare. I'm high on science. Gena Davis is beautiful. Would bang if Brundleflymly.
When a charming 12-year-old girl takes on the characteristics and voices of others, doctors say there is nothing they can do. As people begin to die, the girl's mother realizes her daughter has been possessed by the Devil. Her daughter's only possible hope lies with two priests and the ancient rite of demonic exorcism.
Professor Phillip Brainard, an absent minded professor, works with his assistant Weebo, trying to create a substance that's a new source of energy and that will save Medfield College where his sweetheart Sara is the president. He has missed his wedding twice, and on the afternoon of his third wedding, Professor Brainard creates flubber, which allows objects to fly through the air.
In Arborville, California, three high school students try to protect their hometown from a gelatinous alien life form that engulfs everything it touches.
Michael Jennings is a genius who's hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he's incapable of breaching security. But at the end of a three-year job, he's told he isn't getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn't paid – and why he's now in hot water.
Great white sharks bio-engineered to be the size of piranhas with the purpose of living in rich peoples exotic aquariums, terrorize New York City when they get into the water supply and do what great white sharks do best.
French nuclear tests irradiate an iguana into a giant monster that viciously attacks freighter ships in the Pacific Ocean. A team of experts, including Niko Tatopoulos, conclude that the oversized reptile is the culprit. Before long, the giant lizard is loose in Manhattan as the US military races to destroy the monster before it reproduces and it's spawn takes over the world.
Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
The inhabitants of the British Isles have lost their battle against the onslaught of disease, as the deadly rage virus has killed every citizen there. Six months later, a group of Americans dare to set foot on the Isles, convinced the danger has passed. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.