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**Alice returns to the wonderland for a new adventure.** Based on the nearly 150 years old children's book, and a sequel to the 2010 film. Its quite a long gap for a follow up film, but the original cast has returned and directed by 'The Muppets' famed filmmaker. So, I was not expecting it since I considered the first film an average. All I wanted was a normal live-action 'Alice in Wonderland' films, but I disliked this weird make-ups and large head characters. In that perspective, this one was much better. Still, this is not the best, but definitely a lot better than the previous one. A simple adventure story with nice graphics and performances. The Alice returns to the Wonderland for a new adventure where she has to cross the layers of the present, past and future. So in one word, this is a time travel theme in the fantasy genre. Mia Wasikowska ruled it, she was everywhere. She overran all other characters and takes the toughest challenge to achieve impossible. Nearly a two hour journey into wonderland might make happy for little kids. Because it did not look like a normal fairytale, but very modern. This is not the Disney's best film, so I don't think there will be any more sequel. I want it to be rebooted, but not any time soon, at least a decade of gap needed. So I hope they won't rush and ruin this classic tale like three 'Spiderman' reboots in less than 20 years. Meantime, this film is okay for watching once, though I'm not in favour to recommend it to anybody except little children. _6/10_
A step down from the 2010 film, but 'Alice Through the Looking Glass' is a solid film nonetheless. I enjoyed seeing this plot, largely about time, play out. The film is CGI heavy, but does look great for the vast majority. The cast are good, with Mia Wasikowska leading well and surrounded by the likes of Johnny Depp, Anne Hathaway, Helena Bonham Carter and Sacha Baron Cohen. I do think the film could've been slightly shorter, with better pacing and less emphasis on the 'real world' stuff featuring Alice. The looking glass entry isn't as interesting/magical as the rabbit hole, also. Far superior to the 1998 adaptation of this 1871 Lewis Carroll novel, that's for certain.
I like sequels when the characters come into there own. Better then the 1st.
Six years after her first encounter with the creatures from "Wonderland", the feisty young "Alice" (Mia Wasikowska) finds herself outmanoeuvred by her scheming ex "Hamish" (Leo Bill) and disappointed with her mother (Lindsay Duncan) so a bit at a loss! What's left to do but follow a bug through a mirror above the fireplace back into a realm where she quickly discovers that the "Mad Hatter" (Johnny Depp) is in a bad way. He's missing his family who have long since died, and so she decides to get hold of a time-travel enabling "Chronosphere" and go back in time to retro-fix this disaster. Of course it's not going to be a simple operation, especially as the two royal sisters "Iracebeth" (Helena Bonham Carter) and "Mirana" (Anne Hathaway) are at loggerheads after their father (Richard Armitage) decided to opt for his younger daughter to succeed him. To be fair, the irascible "Irecebeth" might not have been his best choice - but she's not taking this lying down, and soon their magical kingdom is rife with strife. Can the ingenious "Alice" manage to fix things? It's not really the strongest of stories, this one, and with Depp largely side-lined (or bed-ridden) it's left to the CGI to do most of the storytelling. It does look great this - à la "The Golden Compass" (2007), with loads of stunning visuals and imagination let loose, but the plot vacillates between the adventure and the sentimental all too weakly. Wasikowska turns in quite an amiable effort and HBC does try to imbue her character with a bit of tea-time menace, but neither really have enough to work with as the sibling rivalry elements are distinctly an rather predictably undercooked. It's all perfectly watchable on a big screen - colourful and lively, but it's just too "Alice Goes to Narnia".
Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.
Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.
In addition to the two-part television version of the film, a shorter version was installed to show the film, entitled “Sherlock Holmes in the 20th Century.” In this installation version, in particular, the entire plot of the story “Bruce-Partington Drawings” was deleted. A film version was released before the premiere of the full (two-part) television version of the film.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones and, when the snow falls, it is gray. Their destination is the warmer south, although they don't know what, if anything, awaits them there.
A classical art professor and collector, who doubles as a professional assassin, is coerced out of retirement to avenge the murder of an old friend.
In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.
Portsmouth, 1794. Under thundery skies and in lashing rain, 17-year-old midshipman Horatio Hornblower takes the first tentative steps of his naval career, but a feud with a shipmate causes complications.
There exists an ancient manuscript still writing itself called the Lexicon. It supposedly tells of the coming of the Anti-Christ, and happens to fall into the hands of an unsuspecting woman. Now, she is being pursued by angels intent on obtaining the information from the book.
A team of trained secret agent animals, guinea pigs Darwin, Hurley, Juarez, Blaster, mole Speckles, and fly Mooch takes on a mission for the US government to stop evil Leonard Saber, who plans to destroy the world with household appliances. But the government shuts them down and they are sentenced to a pet shop. Can they escape to defeat the villain and save the world?
A decade-long novel, "Three Ways to Survive in a Ruined World", gains one devoted reader, Kim Dok-ja. As reality mirrors the book's premise, Dok-ja's in-depth understanding becomes his key to survival.
Ryoo Seungwan, Han Jiseung, Kim Taeyong got together to make a 3D omnibus film. It's a 3D vision of terrible realities never far from popular culture today. The stages of its episodes are different with one another. Tragedies and fantasies unfold in the city, the woods, and the future. The 3D technique is used in scenes where the characters have fancies to get over suffering in reality. It's interesting to watch 3D scenes directed by representative directors of Korea, and it's noteworthy in terms of industry that this try displays the possibilities and realities of 3D film in Korea, as well. It's the new vision of KAFA's project, KAFA+
