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As bad as the rest of the saga. Tons of action and FX with brainless script and plenty of bad actors.
Second time seeing this one, basically feel the same way, not terribly impressive effort, some spotty visual effects, a few silly fun moments however the finale looked like a poor Matrix copycat. But found some parts entertaining enough, just nothing all that memorable. **2.5/5**
Still in the process of bringing the umbrella company down. Alice finds out about a safe haven from her rescuers.
Resident Evil: Afterlife (2010) is a movie built entirely around its 3D experience, and that is both its strength and its downfall. The story takes a slightly better direction than the previous sequels, benefiting from W.S. Anderson’s return as director, but it still lacks depth. The movie leans fully into action and spectacle, with a focus on flashy sequences rather than strong storytelling. Watching it in 3D, the visuals and effects shine, giving a level of immersion that helps mask the flaws, but in 2D, it loses much of its impact and starts to feel more like a video game cutscene than a cinematic experience. The cinematography and editing are more controlled than in the last two films, making the action at least watchable without feeling overly chaotic. Slow motion is used heavily, almost excessively, but in the 3D format, it works as intended. The film’s standout moment is the chained hammer attack, which delivers one of the most memorable uses of 3D, making it a rare scene that actually evokes a reaction. While the direction is better, the script remains simplistic, offering just enough to move the story along without any real depth. Milla Jovovich once again carries the film, keeping it entertaining with her presence and well-executed action sequences. The supporting cast is there, but nothing particularly stands out. The soundtrack keeps the industrial rock vibe going, fitting well with the movie’s style. Overall, Afterlife is all about the 3D spectacle. If watched in its intended format, it is an enjoyable action-packed ride. In 2D, however, the flaws are much harder to ignore, making it a much weaker film when stripped of its biggest selling point.
In 2015, the world's powers will destroy each other. As always, the world population is suffering. When bacteriological weapons are also used, it happens: the undead rise from their graves and eat the living, which in turn mutate into zombies and go on a manhunt.
In this outrageous sequel to Garra de tigre / “Tiger Claw” (1985), martial artist Ruben Gonzáles returns to battle a killer bear, a necrophile psycho and zombies.
A nightwatchman who works at a pesticide plant manipulates chemicals (of which he treats a strange garden of marrow-like vines in his apartment) , causing evolution to accelerate, in this short illustrating the harmful effects of human interference with nature.
Containing gore, snuff movies, zombies, the Mafia and the supernatural, this was one of the most notorious "solo para adultos" direct-to-video releases in Mexico during the 90s.
A group of young metal freaks sets out to camp on a nice weekend. One of the boys injured his hand and his blood drips on a buried corpse. Awakened by the blood, the Undead sets out to destroy all the living. His first victim is an unsuspecting forest worker ... whose chainsaw becomes a tool of hell.
After the fifth war, the crime rate rises over five hundred percent. Law enforcement is replaced by xenobites: psychotic demons that execute justice in deadly ways. Icarus Van Clader, a private investigator and former criminal in the underworld, is hired to retrieve a mysterious tape that puts him at war with xenobites and the Yakuza.
After a series of disasters, nothing is left of human civillisation. All that remains are the people left behind who live in a post-apocalyptic no man's land. When Lil, a young lonely woman, finds a wounded stranger near her shelter, she has to decide if she'll help him or not. Does she remember what it's like to do something good for another human being?
Set in the near future, Earth's resources are gone and humanity fight for survival. Myles, a young self-centered man, must journey to find Sanctuary with a youthful ally named Tessa. While the shadow of the cruel Cyrus creeps ever closer to Myles - and his past.
The Chaldea Organization must deal with the Grand Temple of Solomon, the King of Magic, which has come to destroy the world.
After the death of a patient, Crimera Pharmaceuticals, assigns the task of finding out what happened to Dr. Elena Pizano, a clinical trial analyst. She must do this with the help of the efficient and reliable artificial intelligence entity: KODA. During her findings she will come across data gaps in one of the drugs being studied, uncovering a darker truth in the world of medicine. As the organizations try to hide the information, she must decide how to handle the secrets she's just uncovered.
The woman, together with her spouse and children, embarked on a visit to an island that was run by a private corporation owned by her foreign acquaintance. However, the island proved to be unusually intimidating, prompting her to make arrangements to depart with her family. Regrettably, the escape was not possible as the island was overrun by zombies, eventually resulting in the transformation of her spouse and children into zombies. Only she and her infant remained unaffected, but the child eventually succumbed to the same fate, leaving her alone. In a selfless act, she chose to transform herself into a zombie to be with her family. However, she later reconsidered and opted to become a saviour instead, with an aim to rescue her family and other victims of the zombie pandemic.