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I remember seeing this film when I was young - spurred on by the Limahl theme song that was in the charts at the time, and rather enjoying it. Based on just the first half of Michael Ende's original novel, it's a gentle fantasy tale of a young boy - "Bastian" (Barret Oliver) - who is being bullied by three classmates. When one day he seeks refuge in a bookshop, the owner shows him a mysterious book that he "borrows" and reads - introducing him to the magical, and dangerous, kingdom of "Fantastica" where he learns that it's benign, kindly young "Childlike Empress" is dying and that only he can help "Atreyu" (Noah Hathaway) save her and everyone from disaster at the hands of "The Nothing". The youngsters are strong with their performances, and Wolfgang Petersen's adaption of his own screenplay remains reasonably faithful to the delicate story with clever, engaging animation - a combination of intricate puppetry and blue-screen effects that is both charming and fun: the luck dragon ("Falkor") and the "Gmork" greatly add to the story of wishes and secrets as "Bastian" races against time to accomplish his task. Time has been quite kind to this film (apart from, maybe, the haircuts!) and it still holds up well.
A fantasy flick of real quality! I got to watch this at the cinema thanks to its release as part of its 40th anniversary, the second movie I've seen re-released on the big screen after 'Trainspotting' back in May. That Danny Boyle flick from 1996 is great, as is this Wolfgang Petersen feature from 1984. I wasn't sure what to expect, I only knew of its genre and that famous theme song. One of the first things to note about 'The NeverEnding Story' is how well it has aged, it looks awesome. The practical effects still look top quality and are super effective, I watched 'Big Trouble in Little China' yesterday and that has aged rather poorly in the effects department - and was released two years after this! I really loved seeing the world come to life. The effects are a big reason for that, though this shows the importance of getting strong voice actors. Alan Oppenheimer is fantastic in the roles of Falkor, Gmork and Rockbiter, credit to Robert Easton as Morla too. As for the 'normal' actors, Sydney Bromley, Moses Gunn and Tilo Prückner are excellent in their respective roles. Younger actors Barret Oliver, Noah Hathaway and Tami Stronach all do good work. I could've done without, and this my only thing close to a criticism (which it even isn't), the constant leaps back to the reader (Oliver's Bastian), it's not bad but sometimes doesn't feel necessary; less is more, sorta thing. A brilliant film, one with an edge to it as well... 🕊️🐎
When Continuation War started in Summer 1941, German soldiers arrived to Oulu. With their charm they conquered women and town boys. Finnish boys communicated with them on many levels: had trades, worked as interpreters, rotated business, spied on German love adventures and fought with each other about the favor of soldiers. In autumn 1944, the war was ending. Germans left Oulu by leaving behind fragile relationships, bastard kids and unfinished businesses. The most shocking of all was the faith of young Jake...
The classic story of Emma Bovary, the beautiful wife of a small-town doctor in 19th century France, who engages in extra marital affairs in an attempt to advance her social status.
Tired of being locked in a reptile house where humans gawk at them like they are monsters, a ragtag group of Australia’s deadliest creatures plot an escape from their zoo to the Outback, a place where they’ll fit in without being judged.
Lovely Mary, an orphan girl, reluctantly takes charge of her sister's child when her sister Kate is jailed.
A young cobra and his scorpion best friend go on a journey across the Sahara desert to save a new-found love.
In order to buy a horse, a man wanders in the bazaars of Thessaly. His journey will take him further than he imagines, as old prophets, forgotten witches and vampire princes will find himself on his way.
A young woman is assigned to teach school in a secluded valley whose inhabitants appear stern, secretive and anti-pleasure. Following two children who disappear to play in the woods, she finds that this is actually a community of extraterrestrials with mild paranormal powers who are attempting to repress and deny their heritage for fear of arousing prejudice and hatred in their human neighbors. Based on a series of novels by the late Zenna Henderson.
A new teacher, Uma (Anasuya Subasinghe), arrives at a school with her first appointment in a remote village near Dambulla in Sri Lanka. The school has few students, with only the principal (Lucian Bulathsinghala) and Uma as the teacher. With the help of Uma the pupils gradually start to dream of bigger things than they ever imagined. One day Upuli, a blind girl, shares her unseen dream with school friends Sukiri and Ukkun. It gradually becomes the dream throughout the village. The children and Uma encounter perils in their venture to realise this dream. The children of the school start to focus on something they have never seen before. This target gives rise to a small revolution.
A lonely wood-carver named Geppetto wishes for a son one night before going to bed. The Blue Fairy comes while he sleeps and partially grants the wish by turning his latest puppet, Pinocchio, into a living marionette. Pinocchio can himself fulfill Geppetto's wish of a real human son if he can prove himself to be a good soul. However, the road to becoming a real boy seems to never end, since his innocence continuously causes a problem, especially when the Evil Gypsy and his two goons want to exploit him. Not to mention, every time that he misbehaves or lies, his nose grows...