The Argonaut

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema-he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Director Jeff Chan re-made the classic viral video 'Charlie Bit My Finger' in a horror film style.

Dirtpeople are living in misery until the Mighty Soap arrives, who washes them clean.

The story of a salesman who deals with implants that allow the user to blur the line between reality and dream.

The testimonies of three forgotten victims whose lives have changed due to a common tragedy. A tragedy of unimaginable dimensions.

Can fiction surpass reality?

Tells the story, through surrealist and oniric images, of an alien invasion that feeds on spanish children.

The story tells of an extraterrestrial invasion in which the aliens kidnap bodybuilders for reasons that escape our understanding.

A brother and sister become trapped in a fake spiritual cult and must overcome high tech brainwashing to get free.

The film’s premise is about a group of warriors and scientists, who gathered at the “Oude Kerk” in Amsterdam to stage a crucial event from the past, in a desperate attempt to rescue the world from destructive robots.

The President's Daughter has been kidnapped by the brilliant super-criminal Blood Mamba. All rescue attempts have been thwarted by the evil genius. There's only one thing left to do: send in the Robot. The Robot must fight zombie-monsters and insecurity in order to complete his suicidal mission. This marks the directorial debut of Rob Schrab (Creator of Scud: the Disposable Assassin and Heat Vision and Jack).