The Sanctuary

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema-he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

Horror story using stills. Based on the short story by Richard Davis.

The story of a salesman who deals with implants that allow the user to blur the line between reality and dream.

A group of teenage girls spends the night in an old dark mansion as an initiation into a college sorority. What they don't know is that the building is actually the headquarters for a mad scientist and his hunchbacked assistant, who are experimenting with turning humans into gorillas.

The film’s premise is about a group of warriors and scientists, who gathered at the “Oude Kerk” in Amsterdam to stage a crucial event from the past, in a desperate attempt to rescue the world from destructive robots.

Treevenge details the experiences and horrifying reality of the lives of Christmas trees. Clearly, for trees, Christmas isn’t the exciting “peace on earth” that is experienced by most. After being hacked down, and shipped away from their homes, they quickly become strung up, screwed into an upright position for all to see, exposed in a humiliation of garish decorations. But this Christmas will be different, this Christmas the trees have had enough, this Christmas the trees will fight back. Treevenge could be a short film about the end of days for Christmas trees, or perhaps, the end of humanity?

Lili wakes her sister Victoria and insists that they both leave the house.

The President's Daughter has been kidnapped by the brilliant super-criminal Blood Mamba. All rescue attempts have been thwarted by the evil genius. There's only one thing left to do: send in the Robot. The Robot must fight zombie-monsters and insecurity in order to complete his suicidal mission. This marks the directorial debut of Rob Schrab (Creator of Scud: the Disposable Assassin and Heat Vision and Jack).

The tale of a murderer (Allen) who uses the cover of Halloween night to causally transport his latest victim from the scene of the crime to his final resting place. Wrapping the body in tarpaulin and dragging it through the busy streets of London as a bloody Halloween prop, all goes to plan until an old school mate (Brassington) recognises the murderer and drags him along to a swanky Halloween party nearby, where a chance meeting with a beautiful girl (Tointon) takes his evening on an even bigger turn for the bizarre!