Fade

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

With the loss of Patroclus (his undeclared male lover), Greek warrior Achilles returns to the Trojan War.

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

A young father listens to his wife soothing their newborn child over the baby monitor. What could possibly go wrong?

Director Jeff Chan re-made the classic viral video 'Charlie Bit My Finger' in a horror film style.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema-he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Two hunters discover a dead young woman in a cabin in the woods.One of them being the sheriff, he proceeds to press the wealthy owner for an explanation. At first it looks like his son has killed his unfaithful wife, but the wife's lover and the family butler are acting suspiciously enough to be followed.

The journey of 3-year-old Tomy into the magical clown-world beyond his bedroom-wall and his struggle to come back in one piece.

On the theater stage, a magician makes appear and disappear his partners

The opening of this remarkable and mysterious film brings into view a scene in a parlor, with two servants discussing the easiest way to hang four pictures which are leaning against the wall on the floor. The artful butler suggests to the pretty parlor-maid that she should hang the pictures from the step-ladder which he hastens to secure from an adjoining room. In the meantime the maid mysteriously proceeds to hang the pictures herself by walking up the side of the wall, and after accomplishing this strange feat turns a somersault from the wall into a chair.

A Medium observes the scene of a crime. Her face reflects suffering, her mind is hearing echoes of the past victims. She is tied to Skullface, a ruthless and methodical double life murderer who will not hesitate to exploit her foresight to design the perfect crime.