The Lucky Texan

Billy and His Pal, released on February 16, 1911, is about a cowboy, Jim (Francis Ford), who is idolised by young Billy (actress Edith Storey in drag). When Jim runs afoul of a gang of Mexican thieves, it’s up to Billy to rescue his hero. Billy and His Pal is short on plot but long on local atmosphere with the director (probably William Haddock) and cameraman William “Daddy” Paley making the most of the starkly beautiful Texas countryside.

The sorcerer and his apprentice Galen are on a mission to kill an evil dragon to save the King’s daughter from being sacrificed according to a pact that the King himself made with the dragon to protect his kingdom.

David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby.

A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.

An 18-year-old boy who came from the countryside to attend school. The person he was introduced to to share a room with by a real estate agent was a man who looked like a girl. He joined the boxing club because he wanted to be more manly, and even he (his girlfriend?) found it interesting and decided to join the club as its manager. The club members are overjoyed at the appearance of their cute manager, but the boy who knows the secret is complicated.

The comedy film between Caribbean, Atlantic, and the Mediterranean! A funny and bizarre comedy experience on board of the dream ship MS Melody with six chaotic Franconians – delightfully comically between pure nonsense and sparkling wit. Plus, dreamlike pictures from the Caribbean, the Atlantic, and the Mediterranean Sea! Heißmann and Rassau in triplicate: As the Franconian couple Annelise and Georg Kaltengruber, as the two widows Mariechen and Waltraud, and of course as the goofball duo Hepp and Depp. And what all happens when a small bunch of Franconians embarks on a snow-white cruise ship is at times completely ludicrous.

Eddy and Patsy prepare to go on a skiing holiday to hopefully indulge in the jet-setting lifestyle of the international celebrity elite when Saffy is proposed to by her stuffy, upper-class boyfriend, Paolo. Eddy hits the slopes and has a near death experience where God appears to her and tells her it's not yet her time. When Eddy comes to, she waits for a sign that she should get involved in Saffy's wedding. As she returns to the house, it appears all hell has broken loose- relatives piling up, practically squatting, and Saffy about to lose her mind. Eddy calms her by throwing money at her as they bond together, planning Saffy's dream wedding. What could go wrong?

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

A cross-dressing farce, adapted from "Madame Lucy" by Jean Arlette, in which to help a friend in a lawsuit, Jack Mitchell disguises himself as the mysterious "Madame Brown," a missing witness important to the case of the plaintiff. He attracts the romantic attention of two old roués and one hot Broadway showgirl.

Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

A quiet and inconspicuous man rents an apartment in Paris where he finds himself drawn into a rabbit hole of dangerous paranoia.