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Chris Jansing Reports - (Mar 26th)
The Kelly Clarkson Show - (Mar 26th)
Four in a Bed - (Mar 26th)
Pawn Stars - (Mar 26th)
Help Im in a Secret Relationship - (Mar 26th)
Hunting History with Steven Rinella - (Mar 26th)
Wild Cards - (Mar 26th)
Family Feud Canada - (Mar 26th)
Selling Houses Australia - (Mar 26th)
Ishura - (Mar 26th)
Outback Opal Hunters - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
Married at First Sight - (Mar 26th)
Alone Australia - (Mar 26th)
The Dog House Australia - (Mar 26th)
Pamelas Cooking with Love - (Mar 26th)
Deal or No Deal Island After Show with Boston Rob - (Mar 26th)
The Diamond Sleeping in the Sea - (Mar 26th)
Watch What Happens Live with Andy Cohen - (Mar 26th)
Tribunal Justice - (Mar 26th)
Retreads the original, but with interesting additions A month after the events of “Psycho II” (1983), a grief-stricken former nun (Diana Scarwid), a wannabe rock star (Jeff Fahey), a meddling reporter (Roberta Maxwell) and a bunch of football fans converge on the Bates Motel and the crazy world of Norman Bates (Anthony Hopkins). Like the previous installment, “Psycho III” (1986) is a quality continuation of the iconic 1960 film, but more of a retread, which is why some call it a spiritual remake. I like it a little better than the prior sequel because it omits the contrived and confusing twists & turns of the second half. (But, if you seriously reflect on “Psycho II,” everything makes sense after the climatic reveal; you just have to put the pieces of the puzzle together). Besides Scarwid, the film scores pretty well in the female department with comely redhead Juliette Cummins from “Friday the 13th Part V” (1985) and brunette Katt Shea. The film effectively contrasts lust and love. In addition, Fahey makes for an entertaining character and I like the addition of the celebratory football fanatics. There’s some atmospheric cinematography as well, directed by Perkins. What’s great about the Psycho franchise is that it has its own story and Norman is a sympathetic character. It’s really a tragedy and not like the formulaic slasher where the killer is a zombie-like machine and all its victims are mostly partying teenagers. The film runs 1 hour, 33 minutes and, like the other two films, was shot at the backlot of Universal Studios, Universal City, California. GRADE: B
A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight. In order to protect her son she will have to reveal a dark secret, and unleash the inner monster she has fought to hide.
Rasheed (Lal) is a Malayali non-resident Indian working in the Gulf. He is on vacation in his hometown, Kozhikode in order to solemnise his daughter's engagement. Rasheed has invested in a commercial property next to his house which he has let out to store owners, except for one room. He hopes to use this room to start a business on his final return from the Gulf. During his holiday this room becomes a meeting place for Rasheed and his friends, where they bond over drinks every night. Manoharan (Sreenivasan) is a filmmaker wandering in the same city in search of a producer for his film.
To stop the Third Reich and the Nazi war machine from winning World War II and affecting the outcome of the free world, Toulon's indestructible puppets join forces with the masters of psychic powers.
Plot TBA. The third installment in the Blood and Honey series. New characters will be introduced, including Rabbit, the Heffalumps and the Woozles.
During a local fishing contest, people are being mysteriously dragged into the lake and killed by a giant fish hook. After a sufficient number of deaths, the killer is finally revealed.
A rich man gathers together friends and relatives at the abandoned theatre he owns, but the party isn't fun for long since apparently one of them is a murderer.
Berle plays a mystery writer who forever writes himself into corners and is never able to finish a story. While visiting his wife (Mary Beth Hughes) at the office where she works, Berle overhears several men discussing the suicide of a coworker. Struck with a brilliant notion, Berle decides to confess to the murder of the dead man, certain that he'll be able to wriggle out of the situation and thereby have plenty of material for a story.
It's death-by-fear (aka scared-to-death) in this deceptively psychological thriller. The hero, Mike brings his friends to his grandparents' house for a Halloween party wherein they will all dress up as their innermost fears. Mike's fear is that he's inherited a homicidal legacy from his father. Mike's father was a serial killer who murdered his mother right in front of him when Mike was five before committing suicide. Mike's fear manifests itself in his inability to commit to his girlfriend of 4 1/2 years, Peg for fear that he will kill her too. Everything gets rolling when an ancient Indian totem wooden figure named Morty comes to life and starts killing off Mike's friends by making their worst fears come true. The ultimate confrontation comes when Mike has to face his greatest fear - his own father.
A woman’s body disappears mysteriously from the morgue without a trace. Police inspector Jaime Peña investigates the strange occurrence with the help of Álex Ulloa, the widower of the missing woman.
When a young boy accidentally triggers the universe's most lethal hunters' return to Earth, only a ragtag crew of ex-soldiers and a disgruntled scientist can prevent the end of the human race.