War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
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Gogglebox - (Mar 28th)
I remember thinking that Dan Futterman was quite attractive in this film as the young "Val", but boy does his turn out to be one of the most selfish and thoughtless of characters! He turns up at the eponymous nightclub run by his father "Armand" (Robin Williams) and his consort of twenty years "Albert" (Nathan Lane) to announce he is to wed. Thing is, he is going to marry the daughter of the rather puritanical senator "Keeley" (Gene Hackman) and so they are going to have to play happy, heterosexual, families when the prospective in-laws come to visit. "Armand" manages his disappointment rather better than his lover who, inclined to the histrionic at the best of times, takes it as all as a personal slight and a mega-strop ensues. Meantime, the worthy senator gets some shocking news of his own involving a colleague and a hooker! Suddenly he needs to get away, and so to the "Birdcage" he, wife "Louise" (Dianne Wiest) and intended bride "Barbara" (Calista Flockhart) duly head. The press get wind of this, and of the fact that it's a fairly ostentatious gay club - and so are just praying to get some snaps of this visit. Can the family stay on a even keel long enough for the estranged mother "Katherine" (Christine Baranski) to arrive, and can they manage to avoid implicating the holier-than-thou politician in the mother of all scandals? Time hasn't been especially kind to this, but Williams and an excellently hammy Nathan Lane do well keeping the momentum going as we to and fro with tantrums a-plenty. Weist and Hackman work well too, but the starring role has to belong to Hank Azaria's camp "Agador" who takes crop-tops to an whole new level. Jean Pouret's original play was written with it's tongue in it's cheek and this updates, but essentially carries on, the tradition of light farce. Stereoptypes galore? Yep, but they're still fun performances that are worth a watch.
This is the story of two male prostitutes who want to become professional actors and how they struggle to get into show business.
Ollie Dee and Stannie Dum try to borrow money from their employer, the toymaker, to pay off the mortgage on Mother Peep's shoe and keep it and Little Bo Peep from the clutches of the evil Barnaby. When that fails, they trick Barnaby, enraging him.
Picture this if you will. A futuristic lighthouse floating through dark space. Aboard this lighthouse is a Spirit Guide and his two younglings Alexi and friend Micah. Three spiritual beings on an unusual journey. When the curious Alexi asks what his life will be like on earth the Spirit Guide is compelled to show him. He knows that dark forces are at hand and Alexi may indeed never be born at all. The Guide reluctantly shows him special moments in time where we find Alexi's family in deep turmoil where dark secrets abound.
The holidays get overly festive as Olaf "Gunn" Gunnunderson, an out-and-proud gay college student, crawls back into the closet to survive the holidays with his parents. But when his boyfriend, Nathan, shows up at their doorstep unannounced, Gunn must put on a charade to keep the relationship a secret. With pressure mounting from all sides, will Gunn come out before the truth does?
Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.
This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.
A true story about a gay boy growing up in the collapsing USSR, his courageous mail-order bride mother, and their adventurous escape to Seattle in the 90s.
Still living at home with his avant-garde actress mother, constantly rejected by art schools, and without a lover, aspiring painter Andrew decides to enter a contest in hopes of winning a six month stay in Kenya. Though things aren't great for Andrew, neither are they wonderful for his lesbian friend Lucy who constantly bickers with her lover Ingrid. Lucy complicates Andrew's life when she introduces him to the suspicious-looking, enigmatic Jerry.
Based on the controversial off-Broadway musical comedy revue, "Oh! Calcutta!" is a series of musical numbers about sex and sexual mores. Most of the skits feature one or more performers in a state of undress, simulating sex, or both. The show sparked considerable controversy at the time because it featured extended scenes of total nudity, both male and female. The title is taken from a painting by Clovis Trouille, itself a pun on "O quel cul t'as!" French for "What an arse you have!".
The friendship of a group of young friends struggling with teen sex, drugs, and work is jeopardized by a romantic interest which may turn pals into bitter rivals.