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_**Similar to “Vera Cruz,” but not as good**_ During the midst of the Civil War in 1863, a Texas Ranger (John Payne) and a Union agent (Dennis O'Keefe) team-up for a mission south of the border. Their focus is a town where a government agent had gone missing and the factions supporting Benito Juárez and, secretly, wannabe French-imposed emperor Maximilian. The beautiful Rhonda Fleming is on hand. “The Eagle and the Hawk” (1950) is similar to the later "Vera Cruz" (1954), except that it takes place during the Civil War rather than immediately afterward. While it’s not great like that movie, it’s okay and has its highlights. The main problem is that, after a promising opening, it bogs down in the talky politics & intrigue of the Mexican town. But the Technicolor and locations are to die for and the characters played by Payne and O’Keefe make for an entertaining duo while redhead Rhonda is stunning. The film impressively mixes magnificent location shooting with matte paintings and studio sets. The film runs 1 hour, 44 minutes, and was shot in Sedona, Arizona, and Paramount Studios, Hollywood. GRADE: B-/C+
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners - who are freed by the blast - Miranda becomes a revolutionary hero against his will.
Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.
Set in the late 19th century. When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.
With thousands of cattle being rustled from White Sage ranch the 1930's Texas Rangers are called in. They manage to get one of their agents into the gang by making them think he is the Pecos Kid on the lam.
An undercover Texas Ranger runs into trouble when he learns that the murderer he's trailing has a twin brother.
The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.
In this highly regarded Mexican war film, peasant Demetrio Macias leads a band of outlaws in a revolt against the Federales during the Mexican Revolution.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
Having fled to Mexico from the U.S. many years ago for killing his father's murderer, Martin Brady travels to Texas to broker an arms deal for his Mexican boss, strongman Governor Cipriano Castro. Brady breaks a leg and while recuperating in Texas the gun shipment is stolen. Complicating matters further the wife of local army major Colton has designs on him, and the local Texas Ranger captain makes him a generous offer to come back to the states and join his outfit. After killing a man in self-defense, Brady slips back over the border and confronts Castro who is not only unhappy that Brady has lost his gun shipment but is about to join forces with Colton to battle the local raiding Apache Indians.
When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.