WWE Raw Classics - (Mar 11th)
Extracted - (Mar 11th)
Below Deck Down Under - (Mar 11th)
American Dad - (Mar 11th)
90 Day- The Last Resort Between the Sheets - (Mar 11th)
Geordie Stories- Charlottes New Baby - (Mar 11th)
My Pet Ate What - (Mar 11th)
Rogue Claimers - (Mar 11th)
The Yorkshire Auction House - (Mar 11th)
Ultimate Police Interceptors - (Mar 11th)
Celebrity IOU - (Mar 11th)
Contraband- Seized at the Border - (Mar 11th)
Maine Cabin Masters - (Mar 11th)
Rescue- HI-Surf - (Mar 11th)
The Hunting Party - (Mar 11th)
The Beat with Ari Melber - (Mar 11th)
Inside with Jen Psaki - (Mar 11th)
The Rachel Maddow Show - (Mar 11th)
The Last Word with Lawrence ODonnell - (Mar 11th)
Baylen Out Loud - (Mar 11th)
Pay attention boys and girls, this is one for the history books. Seriously, this is an important slice of current American history. Better than anything else this highlights a total 180 on labor for both the left and the right... and it's only 10 years old. Nike, yeah, they make a big deal out of how the company moved abroad and now operates sweat shops... that was a left wing issue 10 years ago. And today the left will attack anyone that criticizes Nike as "racist." But it goes beyond that. 10 years ago it was the left that thought outsourcing was bad, and that spoke out against major corporations that did it. Now it's the right that is speaking out against outsourcing... and, well, they are BOTH championing enormous corporations. In fact, the left would call any protection of domestic labor from outsourcing "nationalism" and "racist." At least that was something the right is, unfortunately, consistent on... but the left will all but nail you to the cross if you say anything about Disney, Nike, Google, Apple, and so on. And then there is the plight of Middle America, that was something that both sides could at least pay lip-service to, but in 2019... the argument on the left has turned that all of Middle America (save, Chicago and, maybe parts of Colorado) are absolute evil and full of people in white hoods. This stands as a shining example of how fast things change in only one short decade.
Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.
Johnny Knoxville, Steve-O and Chris Pontius join the annual race around Europe, have fun in other countries, and get in some trouble along the way.
A journey into the heart of America's past and future. The story revolving around the mysterious woman, overlooked by historians, who had a profound influence on George Washington, his vision for America, and its independence – a vision that can deeply influence the nation’s present need for healing and unity.
He was one of Germany's leading investment experts with an income of several million Euros per day. Now, he sits on one of the upper floors of an empty bank building in the middle of Frankfurt, overlooking a skyline of glass and steel. And talks. In an extended mix of a monologue and an in-depth interview, which is as frightening as it is fascinating, he shares his inside knowledge from a megalomaniac parallel world where illusions are the market's hardest currency. Marc Bauder's 'Master of the Universe' is based on meticulous research and provides us with geniune insight into the notoriously secretive and self-protective 'universe' of which our nameless protagonist experiences himself a master. Where other films on the financial meltdown have focused on the epic nature of larger-than-life business, Bauder probes the mentality that made it possible in the first place. A tense drama where psychology meets finance - two things that are more closely linked than you would like to believe.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
In 2019, Hong Kong was swept by demonstrations against the controversial extradition bill. At the Polytechnic University, a group of students also takes a stand for freedom and democracy. Negotiations with the police are chaotic and aggressive, conducted via megaphones and politically charged music played over loudspeakers. The colorful umbrellas which the young people use to protect themselves against the brutal police actions emphasize the group’s bravado, which borders on recklessness. What begins as an energetic battle against the establishment turns into a lopsided game of cat and mouse when the police decide to surround the building. Within its red brick walls, the university building becomes a prison. Over the nearly two weeks that follow, as fear and exhaustion grow among the hundreds of students, so does the uncertainty. Should they hang on inside, or leave the building to face the armed police?