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Eeeehhhhh! I still don't know how to feel about this, and it's been a decade since I first watched it. And then there is the bias that will certainly seep through. I really hate the DNC in 2018...but in the '00's and still today, well, W. was to me what Nixon was to Hunter S. Thompson. There is literally no president I like less than W. So excuse the bias that may pop up here, I try to keep politics out of these in this insanely political age. So, on one hand (and I have been ripping into Stone lately) this is a SOLID Oliver Stone film. Unlike Snowden and World Trade Center, it actually has what you expect from an Oliver Stone film. And I can't not like that. Agree with Stone's politics or not...you go to see an Oliver Stone film because he can leave his mark on it...and this has that mark. So you can sit down and watch it and have that clear "I'm watching an Oliver Stone movie" feeling, and that is always enjoyable when you can do that. But then, it's been a decade since its release and that kind of mutes it. When it came out in 2008, W was still in office and just going to see it made you proud to be an American. Hardly any other country would allow someone to release a film critical of the CURRENT leader while he was still in office. It gave you a great "this is what makes America great" feeling, "this is what puts us above the rest of the world. Thank you Oliver Stone." But, it's been a decade, so you don't get that feeling from watching it now. You don't feel compelled to buy your ticket, and then go back and see it again to celebrate the 1st Amendment. And because of that, a decade later, it kind of makes you feel that it should have been released now instead of then. A decade later you remember the people that were celebrating in the streets when he was finally out. You remember that sense of relief that NOT Bush was in office. You remember the Obama victory...you remember the St. Paul horror, and the sense that the DNC could have run a rotting corpse and won. And then, after you remember all of that, you get the feeling that it would have made a better ending if Stone just waited a year to make the film. But despite all of that, it was a fair film. It was balanced (unlike this review) and that's probably because of what my late father used to say, he hated W. as a president, but felt he'd like him as a person. Which, unfortunately, is an attitude you're regrettably not allowed to have today. But that doesn't change the fact that you still feel like you are watching an Oliver Stone movie. It doesn't change the feeling of pride you got by going to see W. in the theaters when it was released. It doesn't change the fact that it is still a good movie...even if it's a better movie for the people that are old enough to remember it.
"W." is a film that delves into the presidency of George W. Bush, showcasing the historical significance of every individual who holds the highest office in the United States. The movie suggests that every president deserves a biography that captures their time in office, regardless of their successes or failures. Josh Brolin delivers a standout performance as George W. Bush, despite initial skepticism about his casting in the role. He effectively embodies the essence of Bush, portraying him as a somewhat goofy and party-loving figure who may not have taken his political responsibilities seriously at first. The film sheds light on Bush's journey to the presidency, depicting his struggles and personal growth leading up to the events before 9/11. It offers a captivating insight into Bush's term in office, particularly his decisions regarding going to war during his first term. Overall, "W." is a film that exceeds expectations and is worth watching for its portrayal of a complex political figure.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.
It’s 1974 and Sam Bicke has lost everything. His wife leaves him with his three kids, his boss fires him, his brother turns away from him, and the bank won’t give him any money to start anew. He tries to find someone to blame for his misfortunes and comes up with the President of the United States who he plans to murder.
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.
A fictional documentary discusses the effects the Iraq war has had on soldiers and local people through interviews with members of an American military unit, the media, and local Iraqis.
The Final Days concerns itself with the final months of the Richard Nixon presidency.
Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.
For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans. Likewise, Frost's team harboured doubts about their boss's ability to hold his own. But as the cameras rolled, a charged battle of wits resulted.
Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.