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Entertaining enough buddy-cop movie has some fun action scenes (the bus chase sequence was great). Only thing holding it back was the pairing of Schwarzenegger and Belushi never quite worked for me. Still a good flick from Walter Hill, though not sure it ranks all that high compared with others from the era. **3.5/5**
Look out Chicago, Arnie & Jimmy are loose on the streets. Captain Ivan Danko (Arnold Schwarzenegger) is a no nonsense Soviet cop who is sent to Chicago to pick up a murdering Russian drug dealer. Upon arriving in the windy city, Danko is teamed with Art Ridzik (James Belushi), a wise-cracking street cop notorious for cutting corners to get the job done. Complete polar opposites, both men form an unlikely alliance as Danko's Soviet methods blend with Ridzik's free spirited street wise techniques. There were quite a few buddy buddy films around in the 1980s, certainly the teaming of unlikely cop partners was nothing new at the time of Red Heat's release. Yet for all it's obvious reliance on clichés, and its out dated Russian/American guffaws, Red Heat is a romping, violent and funny picture. Pairing the big Austrian Oak Schwarzenegger with the Americana that is James Belushi pays off in bundles. Yes it's sometimes crass, but Belushi's cocky mannerisms play off Schwarzenegger's robotic frame with comedic joy. All played out in amongst carnage and murder created by director Walter Hill, who is quite frankly, and thankfully, just extending the formula that he started in 1982 with 48 Hrs. The support cast is not to be sniffed at either. Peter Boyle, Ed O'Ross, Laurence Fishburne, Pruitt Taylor Vince, Brion James and Gina Gershon. All line up to add fuel to the Arnie and Jimmy fire. Also good to see is that Hill shot on location in Illinois and Moscow to give the film some scenic impetus, whilst James Horner's score is suitably bombastic and at one with the material. It's no rocket scientist who observes a film like this and calls it popcorn fodder, because it so obviously is. But within its buddy buddy framework lies a very quotable film that's essential for fans of Arnie & Jimmy. Sometimes that's all one needs from a film like this. 7/10
I am not sure how much actual acting Arnold Schwarzenegger had to do in this rather derivative crime caper. A bit like John Wayne in "Brannigan" (1975), he is despatched to partner up with a cop abroad to order to repatriate a dangerous criminal. In this case, though, he is a Russian and it is wise-cracking American "Ridzik" (Jim Belushi) that he must bridge the culture-gap and work with to track down a murderous drug dealer who did for his partner and fled. To be fair to Arnie, he has his tongue a bit in his cheek here, but Belushi just mis-fires once too often in this rather sloppy adventure. The escapades are all rather predictable and the underlying joke/scenario wears thin all too quickly. I suppose it nods a little to the thawing in the post-Reagan relationship between the USA and the Soviet Union, but the delivery borders on the slapstick at times and I was never really a fan of Belushi's brand of rather puerile comedy - indulged in spades here by a trio of writers including the usually far more reliable Troy Kennedy Martin. It passes the time effortlessly enough, and reminds us who lived through that period of just how dodgy some of our fashions were, but thereafter it's all pretty mediocre fayre.
When illegal card dealer and recovering heroin addict Frankie Machine gets out of prison, he decides to straighten up. Armed with nothing but an old drum set, Frankie tries to get honest work as a drummer. But when his former employer and his old drug dealer re-enter his life, Frankie finds it hard to stay clean and eventually finds himself succumbing to his old habits.
When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.
London is terrorized by a vicious sex killer known as The Necktie Murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
Strange phenomena surface around the globe. The skies ignite. Terror races through the world's major cities. As these extraordinary events unfold, it becomes increasingly clear that a force of incredible magnitude has arrived. Its mission: total annihilation over the Fourth of July weekend. The last hope to stop the destruction is an unlikely group of people united by fate and unimaginable circumstances.
Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black. Agent K and new recruit Agent J find themselves in the middle of a deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
