Gemini Man 2025 - Movies (Mar 26th)
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The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
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Piers Morgan Uncensored - (Mar 26th)
Deadline- White House - (Mar 26th)
Katy Tur Reports - (Mar 26th)
Chris Jansing Reports - (Mar 26th)
The Kelly Clarkson Show - (Mar 26th)
Four in a Bed - (Mar 26th)
Pawn Stars - (Mar 26th)
Help Im in a Secret Relationship - (Mar 26th)
Hunting History with Steven Rinella - (Mar 26th)
Wild Cards - (Mar 26th)
Family Feud Canada - (Mar 26th)
Selling Houses Australia - (Mar 26th)
Ishura - (Mar 26th)
Outback Opal Hunters - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
Married at First Sight - (Mar 26th)
Alone Australia - (Mar 26th)
The Dog House Australia - (Mar 26th)
Pamelas Cooking with Love - (Mar 26th)
Deal or No Deal Island After Show with Boston Rob - (Mar 26th)
This movie was mostly a tough watch because it is something I lived with - the great and only part that deserves a view and that give to it a 3 stars is the performance of Ashley Judd and actress than than Jean and Marilyn series, didn't shine of so many movies. Her role is just pure anguish to someone that had similar diagnoses to the ones that her character pass on the movie (Major Depression with psychotic symptoms and a light bipolar disturb). Probably her best role in any work she had done, that shows easily the anguish, sometimes semeling without cause and the masks we have to use dya thought day to be in a "normal" life. Also it have and explanation as Judd (and multi-activist) herself had major depression thought her life that isn't something that you can "cure" overnight, you just learn to cope with it. She lived a troubled life thought her youth and entered major rehabilitation in 2006 - and now with the suicide of her mother in 2022 (yes, in many cases it is something that runs through the family). The major flaws probably are by Sandra Nettelbeck, the german writer and director - herself a depression survivor - mostly know by "Mostly Martha" (2001) and somelighter movies. The story could be a lot better written and the choice of Goran Visnjic (lately seen in some series and in Hellraiser remake) as a lovely husband that tries to cope with the situation isn't the best, and the choice of support that only someone that passed thought that can understand what it is is a partial true - because lot's of people can understand that by empathy even didn't really lived depression. As a whole it is something that I can only recommend to someone that wants to see what is to live with major depression (even if we don't "read" what is going inside the protagonist head) - painful to see as real as it can be. I imagine this TV movie (it seems to be because of some black screen change in some sequences) in the hands of a most skilled writer and director what t could be with Ashely and her acting. If taken most seriously it could be a contender for best actress. Overall for her work a 6,0 out of 10,0 / C+.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
When a struggling musician can't afford her rent, she signs up for a website where rich older men pay to date younger women. Her new money-making venture sends her down a dark rabbit hole that forces her to grow up fast, shaping her music, and how she sees the world.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
It’s 1974 and Sam Bicke has lost everything. His wife leaves him with his three kids, his boss fires him, his brother turns away from him, and the bank won’t give him any money to start anew. He tries to find someone to blame for his misfortunes and comes up with the President of the United States who he plans to murder.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.