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**_Great drama about six students and a teacher at a high school in Anytown, USA_** A girl returns to her school at the start of the new school year after several weeks at a mental health facility (Quinn Shephard). While some of the kids persecute her, the new drama teacher perceives her maturity and offers support (Chris Messina), which stirs up the ire of the cheerleader from hell (Nadia Alexander). “Blame” (2017) was helmed by the actress who plays the protagonist, Shephard, when she was only 20 years-old (shot in July, 2015, in 19 days). While a few armchair critics have derided it as ‘a Lifetime movie with edge,’ it has the artistry and dramatic pull to place it with the top flicks of the genre, such as "Fast Times at Ridgemont High,” "Footloose,” "Clueless,” "The Virgin Suicides" and "The Rage: Carrie 2," even the micro-budget “Love Everlasting” (2016). While some of those feature light comedy and even horror, they’re all great dramas covering the high school experience in all its glories and shames. This one includes bullies, a supportive teacher, absent or abusive parents, a hateful rival, teen sex, questionable actions by those in authority, refusing to participate with bullies, slander and potential redemption. The soundtrack is a plus, including choice cuts like “Pretty Face” and “The Lion” by OH CHILD; and more. People who claim that a certain character is guilty of pedophilia apparently don’t understand what the word means, which is sexual attraction to kids under 11 years-old. Meanwhile hebephilia refers to attraction to post-pubescent minors in the 11-14 bracket. At most he could be accused of ephebephilia, which concerns attraction to fully developed teens 15-19. I’m not playing down his imprudent actions as the authority figure in the classroom, just pointing out that he’s in no way, shape or form a pedophile. Which brings us to the actuality that this is more than a psychological coming-of-age drama since the teacher is one of the key characters. He’s in his late-30s or early 40s and facing an early mid-life crisis. He can’t deny how he feels about a certain person, but he has to look within and without in order to make wise decisions about his life and the course it will take. The ending could’ve been better, less ambiguous, but I’m thinking Shephard was running out of money and therefore time and so she just wrapped it up in an ambiguous way. Still, upon reflection, the pieces are there for viewers to figure out what happened and what will likely take place from there. It runs 1 hour, 40 minutes, and was shot in Metuchen, New Jersey (Quinn’s hometown and high school), which is located 35 miles southwest of Manhattan. GRADE: A-
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.
Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
When Hollywood superstar George Reeves dies in his home, private detective Louis Simo is hired to investigate his death and gets caught in a web of lies involving a big studio executive's wife.
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
A young man, whose only possession is a motorcycle, spends his time riding around the city looking for empty apartments. After finding one, he hangs out for a while, fixing himself something to eat, washing laundry or making small repairs in return. He always tries to leave before the owners get back but in one ostensibly empty mansion he meets the abused wife of a rich man and she escapes with him.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.
When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.
A young transgender man explores his gender identity and searches for love in rural Nebraska.