Get Away 2024 - Movies (Jan 10th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 9th)
Sudan Remember Us 2024 - Movies (Jan 9th)
Subservience 2024 - Movies (Jan 9th)
The Naughty List of Mr. Scrooge 2024 - Movies (Jan 9th)
Better Man 2024 - Movies (Jan 8th)
Armor 2024 - Movies (Jan 7th)
George A. Romeros Resident Evil 2025 - Movies (Jan 7th)
Venom The Last Dance 2024 - Movies (Jan 7th)
The Man in the White Van 2024 - Movies (Jan 7th)
Katangari Goes to Town 2025 - Movies (Jan 7th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 7th)
Flow 2024 - Movies (Jan 7th)
Dutch II Angels Revenge 2024 - Movies (Jan 7th)
Black Box Diaries 2024 - Movies (Jan 7th)
We Live in Time 2024 - Movies (Jan 6th)
Rally Caps 2024 - Movies (Jan 6th)
Love Of The Irish 2025 - Movies (Jan 5th)
Tom Davis Underdog 2024 - Movies (Jan 5th)
Paul Chowdhry Family Friendly Comedian 2024 - Movies (Jan 5th)
John Kearns The Varnishing Days 2024 - Movies (Jan 5th)
X-Rated Queen - (Jan 10th)
The Traitors- Uncloaked - (Jan 10th)
Watch What Happens Live with Andy Cohen - (Jan 10th)
LOL- Last One Laughing Quebec - (Jan 10th)
Extreme Makeover- Home Edition - (Jan 10th)
Letters and Numbers - (Jan 10th)
Goosebumps - (Jan 10th)
Fugitive Hunters Mexico - (Jan 10th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Homicide Squad New Orleans - (Jan 10th)
Love Is Blind- Germany - (Jan 10th)
Swamp People- Serpent Invasion - (Jan 10th)
The First 48 - (Jan 10th)
I enjoyed this one. 'Wilbur Wants to Kill Himself' makes the film sound dark and I guess it does deliver in that sense, though it wasn't as as dark as I thought it might be... there's humour in there, albeit quite dry but I do like that sorta comedic deliver at times. I don't personally have a favourite from the cast, though that's just because what they all give is just as strong as their co-stars in my eyes. Jamie Sives, Adrian Rawlins and Shirley Henderson are good value throughout, Henderson would be my pick if I were forced to choose one. Mads Mikkelsen's role is relatively minimal, but he still shows enough.
On a Saturday night in Glasgow, a bassist pursues a teenage boy through the streets for a stolen guitar, but ends up finding what she really needs – a sincere human connection.
Persuaded by the janitor's wife, a lively, but lonesome old woman, who is only attached to the world through her cherished objects and memories, decides to exchange her two-room apartment for a smaller one. For a little while her everyday life is changed. She meets and entertains new people every day.
Gloria is set against the backdrop of a rural landscape slowly disappearing in modern Portugal. The small border town of Vila de Santiago, once a booming trade center for illegal trafficking, is about to become a ghost town, as a new motorway is to bypass the city and the railway station is being closed. Its stationmaster, Vincente, is preparing to retire. Many young people have moved out, leaving the children to be brought up by the elderly, including thirteen-year-old Glória and her friend Ivan. Glória's life suddenly changes with the arrival of Vincente's younger brother, Mauro, who has just come out of prison and has some old issues to settle. Mauro begins to charge around the station on his motorbike, while Glória's friendship with Ivan is put to test on account of her attraction to older Mauro.
The Cambridge Squatter tells the story of refugees, recently arrived in Brazil who, together with a group of low-income workers, occupy an old abandoned building in downtown São Paulo. Daily dramas, comical situations and different views on the world commingle with the threat of impending eviction.
During the night shift in a colony greenhouse, a botanist does her best to contain suspicious soil samples that have alarmed her sensitive lab dog.
Jugni (Firefly) is the beat of the soul, the free-flying spirit. Jugni is Vibhavari (Vibs). Vibs is a music director, working on her first big break in the Hindi film industry. When work and home affairs, with her live-in boyfriend Sid hit a high tide, Vibs hits the road with a glint of hope; to find music. The journey takes her to a village in Punjab in the search of a Bibi Saroop, whose voice holds the promise that Vibs is searching for. But as the twist of fate would have it, Mastana, Bibi's son and a proficient singer himself, is the voice and man who winds his way into Vibs' heart. From here on, Jugni is about striking balances, making tough decisions while trying to soften the blows and dealing with the studied dramatic turns and unpredictabilities of life and finding the place which one can call home; home of the heart, where the firefly is at her brightest.
Madrid, 1974. Former women's jail of Yeserias. Lucia, a girl well situated in society, is condemned to spend ten years in jail due to her relation with a politic militant against Franco's dictatorship. While being in prison she lives with every kind of woman: intelectuals, killers, illiterates, ... All of them must share food, living space, joys and pities; joined by the same fate, lack of freedom, they will have to fight together against desperation. Lucia is willing o live, to learn form that world the fate has given to her where, on the contrary to what she imagines, tenderness and laugh exist. And also the complicity and solidarity of some women living an experience which will mark them for ever.
Every Sunday, Mary, Alice and Joan, three long-time friends, find themselves at the pool to talk about their love affairs. Mary, who is a stockbroker, leads her love life with meetings. One night she is raped by Franck in a nightclub toilet. The young woman then discovers she is pregnant. Alice, a student dominated by an authoritarian father, she has difficult relationship with men. She meets a painter who wants to make her his model. Jeanne lives a dreary relationship with her husband and decides to work and earn a living through prostitution.
Mid-August in Paris (the title is a date: August 15) in a sunny, quiet apartment a young woman talks, thinks, reflects about herself, everyday life and little events in a long, uninterrupted monologue. The camera pictures her and her gestures in long, fixed shots moving around the rooms, the space, the light and shadows of a summer day.
A triangle: love, obsession, and choice. Pierre, a ladies' man who has little cash and no fixed residence, describes his best friend Benoît as the world's oldest 32-year-old. The shy, well-employed Benoît's life changes when he answers the personal ad of Marie, a 25-year-old who restores paintings. He's attracted to her and she likes his steady calm and his honest attention. They're soon a couple, and they include Pierre in their dinners, outings, and trips. What will happen when Pierre realizes that he too is in love with Marie?