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Bad watch, won't watch again, and can't recommend unless you're just a huge Peter Pan fan and a completionist. This is in that run of unnecessary sequels Disney did to make some cheap bucks; it's (clearly) also right after they started in with digital animation. While they managed to capture Peter and the lost boys fairly well, Hook and Shmee are more like loose cartoony references to their former selves. Jane and Wendy seem to have the most detail put into their animation. The (classic) crocodile was replaced with an octopus (but still includes a suction cup version of tik-toking) by a visual director that barely understood what an octopus was. Now, being that I'm generally opposed to the octopus in general, I happen to know a few things about octopus so giving it snail-like eyes, a beak AND teeth, as well as an over-sized tongue broke me a little. The behaviors were typically way off, to include swimming with it's arms above water (they typically help with the locomotion) and some weird physics when climbing the boat. Also, we've pretty much pinpointed the inspiration for Neverland Island, which does actually include salt water crocodiles, but as it is in the Caribbean, this Giant Pacific Octopus is completely out of place. The animation style was also shifting from scene to scene, object to object. Sometimes it is very jarring, a digital cell character atop a cg rendered log, or other times it's a cg rendered background against the digital cell animation of the ship (or vice versa) that really took me out of it as it just looked so unnatural. I'll site "Titan A.E." (Fox) and "Treasure Planet" (Disney) as too different examples where it was blended much more smoothly. I actually like the premise better: Hook kidnap's Wendy's daughter, but the movie does so many weird things. Even though the original movie was officially set in the 1950s, Wendy grows at least 4-6 years to 18 to have a 12 year old daughter and a (generously) 3 year old boy, but the entire world travels backwards to WW2. Even if we retro the original setting, make Wendy....30?, that means the original occurred in 1929 at the latest, as this sequel could occur during 1945 at the latest, and I just did more math than I'm comfortable with to enjoy a movie. And this bad movie has the audacity to drop like real dilemmas in the middle: obligation to family vs trustworthiness, acceptance of others, and this crazy mechanical suggestion about how The Fey of the island work. Does belief of faeries / pixies matter, is it disbelief that actually harms them? Look, this isn't the worst thing to watch, but I honestly kind of regret my time spent on it.
Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.
Ostwind and Mika have found a real home at the farm Kaltenbach with Mika's grandmother. In the hustle of running therapy center and due to Mika's fame as a horse-whisperer, she feels that she doesn't have enough freedom and time to ride. After a serious disagreement with her grandmother, Mika secretly sets off for the night in eastern Andalusia, Spain, where she suspects Ostwind's roots are.
When an alien with amazing powers crash-lands near Mossy Bottom Farm, Shaun the Sheep goes on a mission to shepherd the intergalactic visitor home before a sinister organization can capture her.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
