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After the success of the first two Spider-Man films, Spider-Man 3 represents Sam Raimi's inability to overcome the biggest hurdle of a third movie, a hurdle that Alien 3, The Godfather Part 3, RoboCop 3, and the list goes on could not: studio interference. Although I wish that would be the only thing wrong with Spider-Man 3. But almost every storytelling decision - from the creation of Sandman to Peter instantly falling in love with his new costume to that thing that was never actually called Venom - is just plain stupid. Right from the get go you hate Peter Parker. Studio interference did not mandate the jazz bar dance scene. It did not have the Green Goblin 2 storyline make absolutely no sense whatsoever. It did not create that stupid love triangle between Gwen and Mary Jane, betraying everything Peter Parker is supposed to be about. These were fundamental issues in the script and direction the film took. These were issues that doomed the film for failure. That's why this movie sucks, not just because they butchered Venom.
This movie is about Spidey's revenge and transformation to bad Spidey. It has a dark feel to it that I found one of the most appealing factors to this movie. Because we've all gotten used to Peter Parker being "your friendly neighborhood Spider-Man,” having him turn to the dark side for some time and watch him get out of it was a whole new experience.
Tobey Maguire makes such a great Spider-Man, hands down. We've seen him at his best, but in this movie, we saw him at his worst, and although I must say I wasn't that big of a fan of how cheesy he looked with that emo cut, it was still enjoyable for me watching him beat the "venom" out of him.
So much emotion in this movie! What a way to end a trilogy!
The third and final film to one of the few trilogies we have that are actually good. Tobey surely gave a whole new meaning to Spider-Man and set the bar high for the other Spider-Man movies that came out.
I know this is supposed to have a darker tone than the normal Spider-Man movies we see, but I found it more comedic to see Peter take on an entirely new character. Loved it though!
My wife isn't that big of a superhero fanatic but after watching this whole trilogy with me, I can say that she's still not a superhero fan! Still, I know she was able to enjoy the movie and how the creators told the story.
It still puzzles me to this day why this felt like two movies crammed into one.
Now that I think about it, this film just had too much going on. Compared to the first two which were both hyper-focused on just one storyline, Spider Man 3 lacked that distinct characteristic which I know most of us will agree on.
Out of all the Tobey Maguire Spider Man films, this one had the best effects. But with that, the overall quality of the movie in terms of the plot greatly decreased. I wish they would've stuck with the same strategies they had for the first two films.
I was satisfied, but that already was a disappointment. Spider Man 2 was a great sequel and I had high hopes that they would outdo themselves again this time, but sad to say third time's not gonna be the charm for Spider Man.
Although I'd say that Sandman's acting was pretty on point, I still feel like he could've been cut out from the movie and it still would've made sense.
Spider Man 3 is still pretty good but when you compare it with its other two predecessors, you can see that there is a huge step down in the overall quality of the film.
Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.
Set in 50 B.C., Asterix and Obelix are living in a small but well-protected village in Gaul, where a magic potion concocted by Druids turns the townsfolk into mighty soldiers. When Roman troops carve a path through Gaul to reach the English Channel, Caesar and his aide de camp Detritus discover the secret elixir and capture the Druid leader who knows its formula, and Asterix and Obelix are sent off to rescue them.
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger - himself, his son, his best friend, his nurse - but most of all those who arranged for his death
A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.
Kenichi and his detective uncle, Shunsaku Ban, leave Japan to visit Metropolis, in search of the criminal, Dr. Laughton. However, when they finally find Dr. Laughton, Kenichi and Shunsaku find themselves seperated and plunged into the middle of a larger conspiracy. While Shunsaku searches for his nephew and explanations, Kenichi tries to protect Tima (a mysterious young girl), from Duke Red and his adopted son Rock, both of whom have very different reasons for wanting to find her.
Michael Jennings is a genius who's hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he's incapable of breaching security. But at the end of a three-year job, he's told he isn't getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn't paid – and why he's now in hot water.
The tyrant Gedren seeks the total power in a world of barbarism. She raids the city Hablac and kills the keeper of a talisman that gives her great power. Red Sonja, sister of the keeper, sets out with her magic sword to overthrow Gedren.
Many thousands of years in the future, Earth’s cities roam the globe on huge wheels, devouring each other in a struggle for ever diminishing resources. On one of these massive traction cities, the old London, Tom Natsworthy has an unexpected encounter with a mysterious young woman from the wastelands who will change the course of his life forever.
Following the suicide of her only friend, outcast teen Rachel Lang's life begins a downward spiral that will not only affect her but take everyone around her down in horrifying fashion.
Seasoned adventurer and treasure hunter Dirk Pitt, a former Navy SEAL, sets out for the African desert with his wisecracking buddy Al in search of a confederate ironclad battleship rumored to have vanished long ago, the main draw being the treasure supposedly hidden within the lost vessel. When the daring duo come across Dr. Eva Rojas, a beautiful scientist who is juggling an escape from a warlord and a mission to stop the spread of a powerful plague, their desert expedition begins to heat up.
A group of self-absorbed actors set out to make the most expensive war film ever. After ballooning costs force the studio to cancel the movie, the frustrated director refuses to stop shooting, leading his cast into the jungles of Southeast Asia, where they encounter real bad guys.