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A good film... I know, I'm more surprised than anybody! For large periods of 'The Perfect Man' I was questioning myself as to whether I was enjoying it and, evidently, I think I just about did. The acting isn't that great at all, but the humour and, most so, hearty narratives actually hit nicely - which I didn't expect. One of my main worries throughout was how were they going to connect the plot, I liked how they were piecing it together but didn't have faith that they'd stick the landing. Unfortunately, I was probably correct as the conclusion isn't the best. However, there is still a heartwarming story sandwiched inbetween the averageness. As mentioned, the talent onscreen isn't anything to shout about. Hilary Duff (Holly) and Heather Locklear (Jean) are the most noteworthy, as they lead an alright supporting cast. Usually these films are cast over plot, this is actually the other way around. It most certainly scrapes into the rating I'm giving it, but I can't deny the fact that I did connect with the story between Holly and Jean which elevates it upwards.
In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.
After writing a soon-to-be bestselling novel, writer and committed bachelor Harper attempts to hide the fact that his saucy new book is loosely based on the lives and loves of his tight-knit group of friends. Harper is set to be best man at his friend Lance's wedding, and all his friends will be in attendance. When an advance copy of the book makes its way into the hands of his ex-flame, Jordan, Harper attempts to keep it under wraps.
Parents feed eggs to their children. They do even when the children refuses. The children are sick and tired of the eggs. Now, they begin to think of a way to make eggs run out.
Young Kid has been invited to a party at his friend Play's house. But after a fight at school, Kid's father grounds him. None the less, Kid sneaks out when his father falls asleep. But Kid doesn't know that three of the thugs at school have decided to give him a lesson in behavior.
A man with a troubled past is released on parole. He finds work as a church organist and develops a rewarding relationship with a priest and her young son. However, his past soon catches up with him.
Victor, a disillusioned 60-something whose marriage is on the rocks, opts to relive the week of his life when, 40 years earlier, he met his true love through a company that allows customers to return to the time period of their choosing.
Michael Morda, a young sculptor living in San Francisco, is madly in love with Elinor Hunter, and they plan to be married. When Elinor becomes jealous of Julie Stressman, an old friend of Michael's and one of his models, Michael reluctantly asks Julie not to visit him at his studio. They agree to meet only at the construction site where he is working on a sculpture for which Julie is modeling. When Elinor also shows up at the site, Julie leaves so as to avoid a confrontation, but she is killed by some falling materials. Julie's dying request is that Michael adopt her daughter Mitzi, whose father died years earlier. In order to prevent Mitzi from being taken to an orphanage, Michael lies and says he is her father. Elinor hears this, and without asking questions, leaves him and marries another man the same night.
A haunted woman named Ida journeys from Germany to Jordan, to an eerie and deserted port town on the Red Sea where her partner, Ismail, recently disappeared. Wandering through desolate bars, hotels, and offices, Ida attempts to feel Ismail’s presence one last time and to say goodbye.
A mother, enduringly traumatized by the disappearance of her three-year old daughter 15 years ago, has cut herself off from her ex-husband and son. However, when a troubled young woman with a checkered past enters her life, old psychic wounds painfully resurface, as does the illogical and increasingly irrational hope that the young woman may be the daughter she lost so long ago.
The professor does not approve of his daughter's suitor. His disapproval is so marked that it is finally noticed by said swain, Tim Brown, when he is kicked out of the house by the father of his lady love, and he resolves to be careful in the future and not be subjected to further indignities.