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Weak “Conan the Barbarian” knockoff In a distant fantastical past, the rightful heir of a conquered kingdom (Lee Horsley) returns to his homeland as the formidable leader of a mercenary band. He assists “Prince” Mikah (Simon MacCorkindale) and his cute sister (Kathleen Beller) to overthrow the evil king (Richard Lynch) and his former evil sorcerer (Richard Moll). “The Sword and the Sorcerer” debuted two weeks before “Conan the Barbarian” in the spring of 1982 and it’s just a second-rate S&S adventure by comparison. It’s heroic fantasy with the tone of Star Wars, but without the blockbuster budget and in-depth characters. In light of the somewhat kiddie vibe I was surprised by the female top-nudity. “Conan” was heroic fantasy as well, but it lacked the Star Wars air, had more interesting characters, a compelling story and a mind-blowing score by Basil Poledouris. I’m surprised that BOTH movies raked in roughly the same amount domestically at the box office, almost $40 million. Speaking of the story, the set-up in the first act is too convoluted to create any drive, although the opening on Tomb Island where the hideous Xusia is resurrected in the bowels of the earth is well done. Horsley is gallant and Beller is adorable, but the characters are paper thin. At just over an hour and a half, the tortuous story has no time to breathe and therefore fails to flesh-out the heroes or villains, like “Conan” did. That said, some of the characters are kinda memorable, like the spirited black warrior (whom I can’t discern from the cast list). While there are worthwhile bits throughout this movie they don’t amount to a quality S&S picture. “The Sword and the Sorcerer” is decidedly bush league. The end credits claim that the sequel is “coming soon.” Actually, it didn’t surface until 28 years later under the title “Abelar: Tales of an Ancient Empire” (2010). The film runs 1 hour, 39 minutes and was shot in Southern Cal (Griffith Park, Los Angeles; Culver City; and Riverside). GRADE: C/C-
Somewhat charming fantasy-adventure film that features some respectable special effects and the set designs were pretty good. Acting was so-so however the lead didn't have a whole lot of charisma and the fight scenes were fine but a few scenes were too dimly lit. Should be said, these kinds of movies (including Conan the Barbarian) aren't really my thing but at least this kept my attention. **3.0/5**
This actually benefits from having the germ of a decent story of dynastic skulduggery. The evil king "Cromwell" (Richard Lynch) has designs on the throne of the peaceable king "Richard" (Christopher Cary). To that end he awakens the lethal and demonic "Xusia" (Richard Moll) to destabilise "Eh-Dan" and make it ripe for the picking. Fortunately, young prince "Talon" (Lee Horsley) escapes this terror and flees leaving his elder sister "Alana" (Kathleen Beller) behind - a slave. He doesn't forget though, and trains hard, learning how to handle a triple-bladed sword that he plans to use as he returns to reclaim his inheritance and free his sibling. Needless to say, though, neither "Xusia" nor the usurper are going to be welcoming him with open arms! The visual effects are OK here and the drama keeps going fine at the beginning, but the quality of both acting and writing soon starts to drag the whole thing down into cheap and cheerful television movie-dom. The tousled Horsley is pretty amateur from the get-go and although Beller tries to inject a little feistiness into her character, the whole thing just lacks any sense of menace. Indeed, Moll is about as intimidating as yesterday's lettuce. It is little raunchier than many of the genre but in the end it's rather disappointing and eminently forgettable.
They made a sequel to this that was bucking for arthouse... and it was horrible. This movie was self aware enough to know that they weren't making Chinatown. The dialogue was pretty fun and understood that it wasn't anywhere near a good film, so it could still be light hearted enough to throw in gags here and there in the script, to over-act when it suited the scene, to be fun for the sake of being fun. It's a B sword and sorcery flick that knows how bad it is, and makes the best of it that sort of turned the film into a cult classic. It's a serious movie that has fun with itself, has fun with it's content, and because of that the viewer can sit back and be entertained. Not everything has to take itself seriously.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her offices Christmas Party, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
Set ten years after the events of the original, James Cameron’s classic sci-fi action flick tells the story of a second attempt to get rid of rebellion leader John Connor, this time targeting the boy himself. However, the rebellion has sent a reprogrammed terminator to protect Connor.
Will Turner and Elizabeth Swann join forces with the revived Captain Barbossa to free Jack Sparrow from Davy Jones' locker. The group must navigate dangerous waters, confront many foes and, ultimately, choose sides in a battle wherein piracy itself hangs in the balance.
A trio of thrill-seeking go-go dancers kidnap a young girl and attempt to seduce an old rancher and his two sons out of their small fortune, but their scheme doesn't play out as intended.
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.
Cool Black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.
Captain Etienne Navarre is a man on whose shoulders lies a cruel curse. Punished for loving each other, Navarre must become a wolf by night whilst his lover, Lady Isabeau, takes the form of a hawk by day. Together, with the thief Philippe Gaston, they must try to overthrow the corrupt Bishop and in doing so break the spell.