The Royal We 2025 - Movies (Mar 2nd)
Uppercut 2025 - Movies (Mar 2nd)
I Want to Violently Crash into the Windshield of Love 2024 - Movies (Mar 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Fight or Flight 2025 - Movies (Feb 28th)
My Hero Academia Youre Next 2024 - Movies (Feb 28th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 28th)
Marked Men Rule + Shaw 2025 - Movies (Feb 28th)
The Golden Voice 2025 - Movies (Feb 28th)
Raduaa Returns 2024 - Movies (Feb 28th)
Cold Wallet 2024 - Movies (Feb 28th)
Bookworm 2024 - Movies (Feb 28th)
The Thinking Game 2024 - Movies (Feb 28th)
Gladiator II 2024 - Movies (Feb 28th)
Finding Tony 2024 - Movies (Feb 27th)
Captain America Brave New World 2025 - Movies (Feb 27th)
Kraven the Hunter 2024 - Movies (Feb 27th)
Red One 2024 - Movies (Feb 25th)
Prosecuting Evil with Kelly Siegler - (Mar 2nd)
Love Your Weekend with Alan Titchmarsh - (Mar 2nd)
Call the Midwife - (Mar 2nd)
The Great Pottery Throw Down - (Mar 2nd)
Screwballs - (Mar 2nd)
Dancing on Ice - (Mar 2nd)
Saturday Kitchen Live - (Mar 2nd)
Saturday Kitchen Best Bites - (Mar 2nd)
The Only Way Is Essex - (Mar 2nd)
Lidias Kitchen - (Mar 2nd)
48 Hours To Buy - (Mar 2nd)
Alex Witt Reports - (Mar 2nd)
48 Hours - (Mar 2nd)
Inside with Jen Psaki - (Mar 2nd)
The Tommy Tiernan Show - (Mar 2nd)
SkyMed - (Mar 2nd)
Forensics- The Real CSI - (Mar 2nd)
The Kelly Clarkson Show - (Mar 2nd)
The Late Late Show - (Mar 2nd)
SAKAMOTO DAYS - (Mar 2nd)
There is more than a little of the "Dr. Caligari" (1921) to this compendium of three stories. Visually very similar in style, with angular - seemingly disjointed and out of scale sets and wonderfully targeted use of lighting serves to augment these episodes. A waxworks provides that environment where William Dieterle works, charged with writing some texts to accompany the effigies of three historical figures. The first is a fun "Arabian Nights" tale with Emil Jannings as "Harun", the second sees Conrad Veitd portray the Russian Czar Ivan IV (the terrible), finally he embarks on a tale of "Jack the Ripper" - supplied by Werner Krauss. As he writes, he imagines that he - and the owner's daughter - Olga Beljeff - are actually part of his series. All three present them with comical and perilous escapades, the first sees Jannings unceremoniously stuffed into a baker's oven, having fallen in love with the wife of the baker; the second depicts Ivan as a megalomanic reduced to simpering dolt and the final story is left hanging intriguingly as the would be author finally succumbs to sleep. For what it's worth, my favourite is the second story - but the third one is probably the more accomplished piece of cinema. The techniques of overlaying the film to give us an haunting feeling as "Jack" stalks his victims is really quite effective - if all too brief. As three short stories, this works well and though I am certainly no expert on German cinema, this has to be one of the more enjoyable - with engaging characters and plots - "expressionism" efforts I have yet encountered.
Five tales in the style of classic '50s horror comics, involving a murdered man emerging from the grave, a meteor's ooze that makes everything grow, a snack for a crated creature, a scheming husband, and a malevolent millionaire with an insect phobia.
Three macabre tales from the latest issue of a boy's favorite comic book, dealing with a vengeful wooden Native American, a monstrous blob in a lake, and an undying hitchhiker.
This follow-up to the George Romero/Stephen King-launched anthology series features five new tales of horror and a wraparound. The main stories deal with alternative realities ("Alice"), possessed communication devices ("The Radio"), vampires and serial killers in lust ("Call Girl"), mad inventors ("The Professor's Wife"), and hauntings from beyond the grave ("Haunted Dog").
Police sergeant Neil Howie is called to an island village in search of a missing girl whom the locals claim never existed. Stranger still, however, are the rituals that take place there.
Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.
The Katakuri family has just opened their guest house in the mountains. Unfortunately their first guest commits suicide and in order to avoid trouble they decide to bury him in the backyard. Things get way more complicated when their second guest, a famous sumo wrestler, dies while having sex with his underage girlfriend and the grave behind the house starts to fill up more and more.
Ryoo Seungwan, Han Jiseung, Kim Taeyong got together to make a 3D omnibus film. It's a 3D vision of terrible realities never far from popular culture today. The stages of its episodes are different with one another. Tragedies and fantasies unfold in the city, the woods, and the future. The 3D technique is used in scenes where the characters have fancies to get over suffering in reality. It's interesting to watch 3D scenes directed by representative directors of Korea, and it's noteworthy in terms of industry that this try displays the possibilities and realities of 3D film in Korea, as well. It's the new vision of KAFA's project, KAFA+
Deals with the vivid everyday life horrors that can be easily encountered in familiar places around subjects like noise between floors, secondhand furniture, mannequins, and social media.
Seven episodes, each taking place on a different day of the week, on the theme of suicide and violent death.