Do It Now

Through a kindly act Broncho Billy earns the deep gratitute of Marion Rivers, who presents him with a Bible. Not long afterwards, she comes upon him as he is about to hold up the stage, but at sight of the girl he is overwhelmed with shame and taking out the little Bible promises her that he will live honorably. In the meantime, Marion's father holds up the stage at another point, and one of the stagecoach drivers, mounting a bareback pony, rides off for the sheriff. Broncho Billy sees Rivers get away with the money, and when he hears the sheriff and his men coming, for Marion's sake he goes to warn her father. To shield him, he takes the bags of money and rides away with the men after him. He leaves the money at the mile post with a note saying: "SAheriff, I'm through with Bear County, this stick-up was my last", and rides across the border. (Moving Picture World Synopsis)

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

The Mannings are a professional couple-she is a doctor, he is a lawyer-who are so absorbed in their careers that they have little time for their young daughter Louise, who is left to be raised by their servants. They are shaken out of their single-minded pursuit of their careers when Louise-feeling neglected, unloved and unhappy-runs away with a young newsboy.

A shop girl finds herself disgraced after being pressured into drinking too much at a party and getting arrested for public drunkenness.

In their small village, Romanian peasant girl Katinka Veche falls in love with the studious Jan Drakachu. Jan wins a scholarship to an American university eventually becoming a successful engineer. Unbeknownst to him, Katinka, whom he had to leave behind in the village, is sold into slavery by her cruel, dissolute father. Her owner, Victor Dravich, beats her into submission forcing her to become his mistress in his Syrian gambling den. When the house is raided, Dravich takes her on his travels around the world until they finally settle in a small Arizona mining camp. Broken, she sees Jan but is too ashamed to speak to him sending instead for her old tutor Boris. Upon arrival Boris kills Dravich but is shot by the sheriff. Katinka, now free, follows Jan to New York. After further travail the pair are finally reunited.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Arrested for speeding by highway patrolman Bill Rolph (Robert Paige), J.W. Brady (Robert Middlemass), the president of an oil refinery, offers him the assignment to find the culprits who have wrecked his gas stations, hi-jacked his trucks and attempted to blow up his plant.