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Nature - (Jan 30th)
Storyville - (Jan 30th)
Road Wars - (Jan 30th)
Perfect Match - (Jan 30th)
Family Feud Canada - (Jan 30th)
The Nature of Things - (Jan 30th)
Homes Under the Hammer - (Jan 30th)
Celebrity Help My House Is Haunted - (Jan 30th)
Are We Changing Planet Earth - (Jan 30th)
Body Bizarre - (Jan 30th)
Bangers and Cash - (Jan 30th)
The 11th Hour with Stephanie Ruhle - (Jan 30th)
Married at First Sight UK - (Jan 30th)
Bargain-Loving Brits in the Sun - (Jan 30th)
Live PD Presents- PD Cam - (Jan 30th)
Florida Heat - (Jan 30th)
Ozark Law - (Jan 30th)
Pawn Stars - (Jan 30th)
Dateline- Secrets Uncovered - (Jan 30th)
After Midnight - (Jan 30th)
D.W. Griffith brings us the longest running horror movie to date (1909). It is less horror and more tragic as the movie is probably one of the first “Horror” movies to actually tug on your heart strings a bit. This is also a movie that proves that there are other directors out there not just George Melies. The story is simple enough, we have a king who has constructed a “Pleasure Room” for himself and his concubine. But alas, this concubine is not faithful and she goes ahead and screws around with the court troubadour. The king, heartbroken and sad, commands his masons to seal the concubine and her lover in this “Pleasure Room” the two embrace as the oxygen is depleted and die in each others arms. What do i think of this? Well, D.W. Griffith is no George Melies, but he does make a valiant effort to shove Edgar Allan Poe’s vision into this 11 min. short. Extravagant costumes and a larger budget mean a more creative and fun story. The downsides are the vacant title cards and dialogue cards. This movie could have really benefited from some dialogue, even if we have to read it. So far George Melies is definitely the king when it comes to keeping your attention in a silent film. All be it for 1 - 3 minuets usually. The cast of this film is really the saving point. Griffith used most of his regulars, Mary Pickford, Arther V. Johnson, and Mack Sennett. Per usual they seemed to be a package deal, as was the case with most of his films from that time.
Such a soul torments young composer Georg von Wergenthin, around whom the author creates a precise picture of the fin de siècle, its neuroses and its politics. Georg starts a relationship with a young singer, but does not confess to her in front of his friends, even when she becomes pregnant by him.
Out of love, young Corinna follows the plantation owner Mannsfeld to the Far East - where she has to realize that he is already married. A small consolation for her is the fact that Mannsfeld is not about a womanizer, but that he is serious about his love for Corinna. The only thing standing in the way of this love is his wife, who, despite the broken marriage, does not want to let Mannsfeld go. When the wife is murdered, this crime seems to bring dubious happiness to the two of them - but it doesn't last long.
Television adaptation of the novel by the Italian writer Italo Svevo. His hero is Zeno Cosini, the son of a merchant in Trieste. He is a type of useless person, defeated by life and incapable of action. The ironic insight with which the author draws a picture of the townspeople of Trieste at the turn of the century sounds like an accurate diagnosis of a social class that is doomed with its entire lifestyle and morality.
When Albert Stockwell comes home from work one day he finds a note from his wife of 15 years, Nancy, saying she has gone to see friends. After waiting several days, Albert realizes that his wife is missing. Nancy has met her salvation on the Internet in the form of Louis Farley. Nancy and Louis, both wounded souls, take comfort in one another through e-mail, pictures, and promises of perverse sexual encounters.
Lovestruck conservatory student Ariane pretends to be just as much a cosmopolitan lover as the worldly mature Frank Flannagan hoping that l’amour will take hold.
When Joshua moves to the outskirts of Auburn, he awakens the curiosity of the sleepy town. They don’t know who he is or where he came from, but no one can shake the feeling they’ve known him for years. Despite his benevolence and selfless work in the community, some remain suspicious. Just what exactly is Joshua up to?
While vacationing on a remote German island with his pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.
In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.
