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**To face a revenge threat!** Okay the first film was good one. Then I thought it was unnecessary to make a sequel for it. But someone clarified that it was not made outside the novel to make money. It's indeed adapted from the sequel book of the original film's source. Though coming out 20 years later was the disadvantage. Except some praises it had received, particularly by its hardcore fans, it was average at the box office and I thought same as well. I did not like the story. It was just a random drag, not knowing what direction to head. That's until the third act, and once all the three main characters come together, so it gets interesting with something. Like surviving from from a revenge threat. It was the actors who saved the film. Otherwise, it is not even an average as I consider now. I don't think retaining the title was a good idea, but I think it was just for its fans. Or else, a new title name would have done a decent justice to what it had narrated. As I know, this is the director's first ever sequel and he's not getting better since his Oscar win, a decade ago. Especially the last two flicks, despite based on the very good subjects. Definitely no to the T3. Instead, I want another Oscar nod film from him. This would have been ever worse if somebody else would have made it. Yet, a watchable film, only if you had liked the first. So just think about it before going for it after seeing only positive words from a few people. _5/10_
OK...it may be bias, Trainspotting was one of my favorite movies, and one of the better, if frustrating, books I experienced in High School. And, I really want to avoid any hints towards the plot as....it might kill a lot of the humor for those that haven't seen it. So excuse the vagueness, but after watching it, you might see where its necessary from an entertainment not a twist standpoint. So...the bad: It is NOT "Porno" which breaks the heart because, well, "Porno" was absolutely hysterical, right down to why it had its title. That being said, the draw is the cast. Trainspotting was one of those "how the hell did they make this book into a coherent movie" movies and in many aspects "Porno" would have been easier, but would certainly still fit into that mold. So it's likely better that T2 didn't follow the book. Anyway, the joy is just seeing the crew back together again, the chemistry is still there, it's totally an ensemble cast and that was really the principal draw to the first film as well. I don't want to give away the plot, but the cast just works so well together, they know their characters and live them. And the characters are delightful to watch. I sort of feel that they could have thrown any script at them, and so long as the cast and characters stayed the same...the film would have been thoroughly entertaining. It doesn't hit as hard as the first film, but everyone has aged and it's still....brilliant. Really, you're watching it for the cast and characters, and it pays off in sheer entertainment.
A rather good sequel! 'T2 Trainspotting' is exactly what I expected it to be. Turns out, it was also exactly what I wanted it to be. I thought it was great! I mentioned in my review of the original that I didn't like the characters, at all. Whilst that is indeed the case for that film, in this follow-up it does a grand job at making you care for the main bunch more; well, aside from Franco but we don't talk about Franco. It probably is missing out on as much substance (pardon the pun), if only when compared to the 1996 flick, but evidently I'd argue it makes up for that with improved (harsh/wrong choice of word, perhaps) characterization. Even though I only watched the other movie for the first time a mere few hours prior, it was still cracking to see Ewan McGregor, Ewen Bremner, Jonny Lee Miller and Robert Carlyle back together in their respective roles - aged 'n all. I appreciate both films, albeit in different ways. This one I actually 'properly' enjoyed, whereas before it was more an appreciation of how effectively it was told. Terrific productions either way, really.
After he and his first wife separate, journalist David Sheff struggles to help their teenage son, who goes from experimenting with drugs to becoming devastatingly addicted to methamphetamine.
Five inmates break out of a remote minimum security prison for women. Four are hardened convicts, the fifth was wrongfully convicted. As the authorities chase them down, the cons terrorize or kill anyone who gets in their way.
Escaping from China with a microfilm of the formula for the mysterious "Lotus X", Lord Southmere, a Queen's Messenger, is chased by a group of Chinese spies.
James Gillespie is 12 years old. The world he knew is changing. Haunted by a secret, he has become a stranger in his own family. He is drawn to the canal where he creates a world of his own. He finds an awkward tenderness with Margaret Anne, a vulnerable 14 year old expressing a need for love in all the wrong ways, and befriends Kenny, who possesses an unusual innocence in spite of the harsh surroundings.
A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.
A semi-fictional account of life as a professional football player. Loosely based on the Dallas Cowboys team of the early 1970s.
A quadriplegic man is given a trained monkey help him with every day activities, until the little monkey begins to develop feelings, and rage, against its new master and those who get too close to him.
When a young journalist dies in violent circumstances, her brother soon learns, by way of the mysterious Stefan Crosscoe, that his sister has succumbed to the werewolf curse.
Bear brothers Briar and Bramble set off on an adventure with their human friend Vick to Wild Land, an amusement park where humans can turn into animals using a gene-technology bracelet.