She Devil

A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

A triad of vicious vixens scam (and occasionally murder) hapless, lonely men from the internet but run into a nightmarish labyrinth of deception and horror when one attempts to use her wiles on a far more cunning adversary.

Marty and Doc are at it again in this wacky sequel to the 1985 blockbuster as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.

Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.

John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.

A young museum curator Isabelle (Katie Goldfinch) is sent to look at an ancient artefact, discovered in the basement of a stately home in Shropshire. Welcomed into the sprawling manor house by a seemingly hospitable family; Karl (Larry Rew), his wife Evelyn (Babette Barat) and their beautiful daughter Scarlet (Florence Cady), but all is not what it seems, as a dark and terrifying secret hangs over them.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

A handsome young drifter is found unconscious near a remote monastery, where he joins forces with a vengeful spirit as he seduces and converts each of the monks to join his league of the undead.

A troubled young woman takes up residence in a gothic apartment building where she must confront a terrifying evil.

Charthurst Green, Kent, 1966. Pauline Cox accompanies Mike Robins to a village cricket match in which he is playing, but becomes bored and wanders away. She fetches up at the local railway station, where she is first entertained to tea by the garrulous, hunchbacked station master, then upset by the intrusion of the latter's assistant Ewen, who proceeds to kill a rabbit in her presence. Making her way back to the match, Pauline is waylaid by the simple-minded Ewen as she crosses an apple orchard; when his advances become violent, she tries to fight him off and he strangles her. The station master helps in covering up the murder, burying the corpse in the orchard.

Old loves, rivalries and vendettas resurface at a high-school reunion party held out on a reclusive estate, but the evening takes a deadly turn when one of the guests begins systematically killing all the estranged attendants, leaving the group to try and decipher who, of all their friends, has the potential to be a murderer.