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The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
This movie is anti-Christian. Look at the inverted cross in the name itself. It has an agenda - it's not just a movie. Do not watch it, do not let your close ones watch it either. There are many more other good horror flicks out there who can do it without demonising religion (and not any or all religion, it specifically targets Christians).
I think far too many movies that go for a similar vibe to _Apostle_ aren't willing to take that very important step into actually embracing your supernatural/fantasy/gothic elements. _Apostle_ on the other hand, goes full hog saying "fuck that", and in turn I'm saying "Please sir, may I have some more." _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
***Mysterious first half devolves into muddled half-baked horror cheese*** A man in 1905 Wales (Dan Stevens) goes undercover as a member of a weirdo cult to save his captive sister on an isolated island. "Apostle" (2018) has a similar plot to “The Wicker Man” (1973/2006) and a setting akin to “The Village” (2004) and “The Ritual” (2017), but it’s the least of these. The first half is a decent set-up; a little dull, but nice and mysterious with a fantastic setting and village set. Unfortunately, the second half devolves into half-baked horror cheese with a couple of random torture scenes to supposedly keep things "exciting." I was shocked at how bad the second half was -- bad flow, no finesse, ill-conceived, lack of consistency, too ambiguous -- just lousy wannabe-horror filmmaking. It’s like the director needed 20 more minutes to properly tell the story, but was pressured to keep the movie as close to 2 hours as he could and so clumsily forced the footage in the second half together. Nevertheless, the movie's provocative upon reflection, particularly its commentary on human-made hybrid religions and the potential for corruption and abuse thereof. Think Jeroboam's syncretic religion when the northern kingdom of Israel broke from Judah; he concocted two golden calf idols and appointed illegitimate "priests." It was influenced by Judaism and featured some of its trappings, but left out the most important part (God). The film runs 2 hours, 10 minutes and was shot in Wales. I would like to see a "Director's Cut" that runs at least 2.5 hours with all the expository footage that was unfortunately left on the cutting room floor. GRADE: C (First half B- / Second half D)
When a young boy contracts a mysterious illness, his mother must decide how far she will go to protect him from terrifying forces in her past.
A documentary crew travel to a remote village in England to capture the lives of notorious cult 'Friends at the End'. F.A.T.E were once a growing religion but, after a miscalculated doomsday prediction in the 1950s, membership has dwindled. In recent years F.A.T.E have been linked to disappearances of former members, the leader Daniel Love has gone into self-imposed exile, and this year their crops are failing. Except the potatoes. In need of money, the gang recruit new member Rachel, at a local rehab facility. Rachel breathes new life into the group and, when she turns the head of lifelong member Comet, old relationships begin to fracture. As the comet that F.A.T.E believe will bring with it the end of the world approaches, the group's beliefs are tested. New secrets emerge which threaten everything the cult has been working towards.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy.
A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
In the late 1940s, a murderous couple known as the 'The Lonely Hearts Killers' kills close to a dozen people. Two detectives try to nab the duo who find their targets via the personals in the paper.
When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.