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Tuesdays Trash 2024 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
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You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
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Henry Danger The Movie 2025 - Movies (Jan 17th)
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Alien Rubicon 2024 - Movies (Jan 17th)
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Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
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The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Listen to the Earth - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
Gold Rush - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Cruising with Susan Calman - (Jan 17th)
The Traitors- Uncloaked - (Jan 17th)
Travel Man- 48 Hours in... - (Jan 17th)
By far, my favourite film of Branagh's that he's directed. A solid mystery/thriller--the kind that's not done enough these days IMHO. Though he's certainly diversified his oeuvre recently, what with Disney remakes and even superhero films, I wish he had done a lot more like this one, rather than, high-quality as they are, a metric tonne of yet-more Shakespearean adaptations.
Kenneth Branagh's first film, **HENRY V**, was a critical triumph. But since it was a Shakespeare story, it is overlooked as high-brow. With **DEAD AGAIN** as his sophomore directorial effort, Branagh has a film for the popcorn crowd. If **HENRY V** was tonally like a Laurence Olivier film, **DEAD AGAIN** is tonally like an Alfred Hitchcock movie. Filmed in 2 eras, in both color and black and white, with characters portraying multiple characters, a private eye, reincarnation, a fortune teller even a _femme fatale_ suffering from amnesia! Obviously **DEAD AGAIN** is a suspense thriller of old. The screenplay by Scott Frank - screenwriter of **OUT OF SIGHT**, **GET SHORTY** and **MINORITY REPORT**- is taut and exciting. Branagh's creative use of camera and the thundering musical score by his musical alter ego, Patrick Doyle, marry well with that script. Once again, Branagh carries the film in front and behind the camera. This time taking on 2 different roles, as does his one-time wife Emma Thompson. While some from his Shakespeare community appear in other roles, Branagh embraces his first Hollywood film by bringing on board American actors, like Andy Garcia and Robin Williams. In the end, story is king in **DEAD AGAIN**. It is fun and exciting and easily one of the best films of 1991. _"...two halves of the same person. Nothing can separate them, not even death.”_
A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to be falling apart with shady consequences.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
A lone, introvert man who lives with his mother gets a suprise visit from a guest and shares a secret with "THE GUEST".
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
A master thief coincidentally is robbing a house where a murder—in which the President of the United States is involved—occurs in front of his eyes. He is forced to run, while holding evidence that could convict the President.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
Two divers are left out at sea without a boat. There’s nothing but water for miles, unless they look at what’s underneath them...
Sergei, an aspiring musician, accidentally meets a deaf-mute girl, Natasha, and falls in love with her. He has to change a lot to prepare himself for a new relationship with a different and very vulnerable person. Natasha is like an alien or an alieness with whom Sergei has to find a completely new language to speak. Natasha tries hard to understand his musical world. The problem is that Natasha lost her hearing during the war and associates sounds with fear and pain. Even a symphony concert is torture for her.