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By far, my favourite film of Branagh's that he's directed. A solid mystery/thriller--the kind that's not done enough these days IMHO. Though he's certainly diversified his oeuvre recently, what with Disney remakes and even superhero films, I wish he had done a lot more like this one, rather than, high-quality as they are, a metric tonne of yet-more Shakespearean adaptations.
Kenneth Branagh's first film, **HENRY V**, was a critical triumph. But since it was a Shakespeare story, it is overlooked as high-brow. With **DEAD AGAIN** as his sophomore directorial effort, Branagh has a film for the popcorn crowd. If **HENRY V** was tonally like a Laurence Olivier film, **DEAD AGAIN** is tonally like an Alfred Hitchcock movie. Filmed in 2 eras, in both color and black and white, with characters portraying multiple characters, a private eye, reincarnation, a fortune teller even a _femme fatale_ suffering from amnesia! Obviously **DEAD AGAIN** is a suspense thriller of old. The screenplay by Scott Frank - screenwriter of **OUT OF SIGHT**, **GET SHORTY** and **MINORITY REPORT**- is taut and exciting. Branagh's creative use of camera and the thundering musical score by his musical alter ego, Patrick Doyle, marry well with that script. Once again, Branagh carries the film in front and behind the camera. This time taking on 2 different roles, as does his one-time wife Emma Thompson. While some from his Shakespeare community appear in other roles, Branagh embraces his first Hollywood film by bringing on board American actors, like Andy Garcia and Robin Williams. In the end, story is king in **DEAD AGAIN**. It is fun and exciting and easily one of the best films of 1991. _"...two halves of the same person. Nothing can separate them, not even death.”_
A woman inherits a house in her ancestral village, but she's unaware that members of the community have been trying to locate and kill her to remove the curse that has plagued them for years.
Benoît, 50, is a police lieutenant wounded by the disappearance of his wife, Lise. Unable to perform his grief, he sees his physical and mental health decline when she mysteriously surface again years later.
A psychedelic journey across Los Angeles to find his stolen motorbike leads antihero Todd Tarantula through a time-bending experience where he must uncover the secrets of his past.
In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)
The vice president is dead, and as the president makes his choice for a replacement, a secret contest of wills is being waged by a formidable rival. When Senator Laine Hanson is nominated as the first woman in history to hold the office, hidden agendas explode into a battle for power.
Every culture has one – the horrible monster fueling young children's nightmares. But for Tim, the Boogeyman still lives in his memories as a creature that devoured his father 16 years ago. Is the Boogeyman real, or did Tim make it up to explain why his father abandoned his family?
With her California hometown in the rearview mirror, Belle heads north on business to catalog the sale of a large mansion. While the job is a dream, the client, Hunter Lowell, is not. But, as the two spend more time together, his icy demeanor begins to melt. Although their relationship is budding, Belle’s long-time suitor, Tony, arrives, sending mixed signals to Hunter while adding chaos to the holiday season.
L.A. private detective is hired to investigate the disappearance of an alluring woman's brother. Surrounded by double-crossing deals and dangerous relation, Rybeck will have to plunge headfirst into his deadliest case ever.
When their daughter is abducted by experienced kidnappers, the Jennings turn the tables on their seemingly fool-proof plan.
An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.
