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Just out of reach. Bunny Lake is Missing is directed by Otto Preminger and adapted to screenplay by John & Penelope Mortimer from the novel of the same name written by Marryam Modell (AKA: Evelyn Piper). It stars Laurence Olivier, Carol Lynley, Keir Dullea, Martita Hunt & Noel Coward. Music is by Paul Glass and cinematography by Denys N. Coop. 1960s Brit Pop combo The Zombies also feature in the film. Ann Lake (Lynley) turns up at her daughter's school to collect her after her first day there, but nobody has any recollection of ever having seen the four year old... It was a film that irked Otto Preminger, he was never happy with the finished product, this even after changing the ending from the one in the novel and relocating the story from New York to London. Yet time has been very kind to the film, after re-evaluations from auteurist critics the film has found a sturdy fan-base, giving it cult classic status and a reputation as a sleeper classic of its type. You feel that with its thematic links to Hitchcock's Psycho, Preminger wanted to make a film worthy of being in the same league as Hitch's classic. Certainly the marketing for the film lends one to think the makers wanted to be compared with it, that it of course isn't on a par with Psycho is a given, otherwise it would be more well known. But it's a damn fine picture, stitched together impeccably by Preminger, film holds attention and intrigue from Saul Bass' nifty opening credit sequence, right to the eerie denouement. Here we go round the mulberry bush, The mulberry bush, The mulberry bush. Here we go round the mulberry bush on a cold and frosty morning. With real London locations used and Coop's pin sharp black and white (shadowy) photography tight to the unsettling mood, story carries an air of psychological discord about it. The mystery element is strong, and this coupled with the edgy, near unhealthy, relationship between Ann and her brother Stephen (Dullea), makes for a "shifting in your seat" experience. Then there's the small matter of Noel Coward as Horatio Wilson, creepy landlord extraordinaire, he may not be in it for much, but the impression made creeps the flesh. Slotted into the tight narrative are scenes that the likes of Hitchcock, Welles and Kubrick would be proud of, where Preminger calls on his film noir know how to feverishly glide around a doll shop and track his actors as they cavort around a children's garden play area. All topped off by the supreme performance of Olivier as analytical Superintendent Newhouse, a man calm and versed in psychology, he is the perfect contrast to the hysteria and borderline mania that surrounds him. Is it Hitchcockian? As some critics have called it? Well yes it is, but not overtly so, it has closer links in tone and narrative thrust to under seen British thrillers like Don't Talk to Strange Men (1962) and Taste of Fear (1961). Is it flawless? No! Dullea is way too animated, some character reactions to situations are eyebrow-raising and Paul Glass' score is at times maddeningly wrong for the mood sequence it accompanies. But they are problems easily forgivably when taking the film as a whole. 8.5/10
Following the suicide of an elderly Jewish man, investigative journalist Peter Miller sets out to hunt down an SS Captain and former concentration camp commander. In doing so he discovers that, despite allegations of war crimes, the former commander has become a man of importance in industry in post-war Germany, protected from prosecution by a powerful organisation of former SS members called Odessa.
An injured RAF pilot, confined to a wheelchair is committed to an eerie hospital where he starts to lose his mind.
In a moment of madness a middle-aged, married and respectable pharmacist kills a young woman who is sun-bathing by a lake. Unable to take in what he has done, he flees from the scene of the crime and behaves as if nothing has happened. Eventually her boyfriend is charged with the crime and, in a strange twist of fate, the killer finds himself serving on the jury.
American computer whiz Luke Williams meets elderly Lavinia Fullerton on a London-bound train. She reveals she's discovered the identity of a serial killer in her village and is going to report it to Scotland Yard. When she is murdered after disembarking the train, Williams vows to pursue the case himself.
Terrifying nightmares, a broken family, and a mysterious Holistic Doctor, haunt Mary as she searches for the strength to find forgiveness amongst dark betrayals.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.
Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox - and obliterate the world's economy.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.