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It feels rushed, but I kinda do like 'Lady Godiva of Coventry'. The film, in my opinion, is at its best with Maureen O'Hara and George Nader alongside the trio of would-be prisoners, spearheaded by Victor McLaglen. The stuff with that quintet was really enjoyable to me; the main story isn't even to do with them. The plot of this 1955 involves the characters of O'Hara and Nader, but with Leslie Bradley & Co. Those parts of the film aren't the strongest and don't really leave a sizeable imprint. I would've preferred a production with those other five more, to be honest. It's all still watchable though. There's a couple of neat shots scattered in there, also. I managed to spot Clint Eastwood in his uncredited minor role. Much bigger things to come for that man, I reckon...
This is my kind of movie - a good old historical drama set in 11th Century England. Sadly, though, the whole thing is just too episodic and disjointed for the story to ever really flow. It sets out do depict the tale of the eponymous lady (Maureen O'Hara) who rode naked through the streets of Coventry (draped in "Rapunzel"-esque locks that appear nowhere else on her head in the film!) to draw the attention of her Norman husband "Leofric" (George Nader) to the plight of the commons as the Norman and Saxon peoples of this now divided land start to draw battle lines. Her husband has already fallen foul of King Edward I (Eduard Franz) by refusing to marry his chosen bride, so the couple soon find their allies at court are few, and goaded by the duplicitous "Godwin" (Torin Thatcher) things are soon simmering perilously close to insurrection. Though rooted in fact, this plays fast and loose with just about everything from the history to the characterisations. Thatcher exudes a soupçon of menace, but the rest of the cast really appear to be going through the motions with this colourful, and at times energetic (largely thanks to Victor McLaglen), enterprise. Nobody could ever describe O'Hara as especially versatile - here she is just playing her usual determined and feisty character and though she isn't bad, it's all just the same role she has played against an array of more famous leading men in years gone by. Fans of the men-in-tights genre ought to enjoy it well enough, I did, but it's all pretty unremarkable fayre I'm afraid.
Sir Walter Scott's classic story of the chivalrous Ivanhoe who joins with Robin of Locksley in the fight against Prince John and for the return of King Richard the Lionheart.
Robin Hood fights nobly for justice against the evil Sir Guy of Gisbourne while striving to win the hand of the beautiful Maid Marian.
Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.
In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years before.
In the XIth century Kyivan Rus' (Ukraine-Rus') reached its zenith under the reign of Yaroslav. He established enduring ties with many of the ruling European dynasties, strengthened the borders of Rus' and tried to free it from the influence of the Byzantine Empire. Since 988 the church of Rus' had been autonomous, apart from the right of Constantinople to appoint the Metropolitan.
At the turn of the 10th and 11th centuries Boleslav's kingdom fell apart in the fratricidal war between the Přemyslovci and the other clans the main profiteer of this being the German emperor. At that time it seemed as if the Czech state and the lineage of its princes was awaiting its end..." It is with these words that the tale of this film begins, whose narrative is based upon the the play by František Hrubín of the same name.
A knight in the service of a duke goes to a coastal village where an earlier attempt to build a defensive castle has failed. He begins to rebuild the duke's authority in the face of the barbarians at the border and is making progress until he falls in love with one of the local women.
Epic film of the legendary Spanish hero, Rodrigo Diaz ("El Cid" to his followers), who, without compromising his strict sense of honour, still succeeds in taking the initiative and driving the Moors from Spain.
