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Before me kneels a nation divided - rise as one man, and that one, for England! Out of MGM, Ivanhoe was spared no expense and became the costliest epic produced in England at the time - though the studio millions that were tied into English banks is more telling than any sort of love for the project one feels... It's directed by Richard Thorpe and produced by Pandro S. Berman. The cast features Robert Taylor, Elizabeth Taylor, Joan Fontaine, George Sanders, Emlyn Williams, Finlay Currie and Felix Aylmer. The screenplay is by Æneas MacKenzie, Marguerite Roberts, and Noel Langley who adapts from the novel Ivanhoe by Sir Walter Scott. The score is by Miklós Rózsa and Freddie Young is on Technicolor cinematography duties with the exterior location work at Doune Castle, Stirling, Scotland. Though the pacing is far from perfect and there's some saggy bits in the script, Ivanhoe remains arguably one of the finest and most under appreciated of MGM's historical epics. Naturally there's some differences from Scott's novel (a given in most genre pieces of this type), but Thorpe and his team come through with the material given and deliver a rousing treat. It looks tremendous courtesy of Young's lensing, where he brilliantly brings to life Roger Furse's costumes and Alfred Junge's majestic sets. Taylor (R), Fontaine and Taylor (E) look delightful, (especially Liz who can easily take you out of the movie such is her beauty here) and their romantic triangle makes for an ever watchable romantic spectacle. The action is on the money, with the attack on Front de Boeuf castle adroitly constructed (and not skimped on time wise), a jousting competition that vividly comes to life (Ivanhoe so tough he challenges all five knights to a contest!), and a Mano-Mano fight between Taylor's Ivanhoe and Sanders' De Bois-Guilbert that is grisly and adrenalin pumping in equal measure (check out the sound work here too). It's also worth acknowledging the anti-semitic part of the story, with the MGM suits thankfully deciding to not ignore this part of Scott's literary source. The three handsome lead stars are backed up superbly by a robust Williams, while the trio of villains played by Sanders, Robert Douglas and the excellent Guy Wolfe as weasel Prince John, deliver the requisite quota of boo hiss villainy. It made big money for MGM, setting records for the studio at the time. It's not hard to see why. It's a beautiful production across the board, and while it's not without faults per se, it holds up regardless as it firmly engages and stirs the blood of the historical epic loving fan. What a year 1952 was for MGM! 8/10
This is a super action-adventure tale about a chivalrous knight battling Norman injustice as he strives to find and restore King Richard I to the English throne. Robert Taylor leads what can safely be described as an all-star cast with Elizabeth Taylor; Joan Fontaine and George Sanders delivering gentle and solid performances. Sir Felix Aylmer stands out too as "Isaac", the Jewish banker who attempts to help "Sir Ivanhoe" raise the huge sum to ransom the King and Finlay Currie is suitably theatrical as "Sir Cedric". The writing is a bit wooden at times but the action scenes, and there are plenty, are all good fun to watch.
Set in rural Ostrobothnia in 1859, Tuomas Kantola, a farmer, is the only peasant in the village who does not sell his land to Lohikoski's boss Adler, and even starts to annoy him by building a dam to defy the project to drain Lohikoski's lands. During the summer, Harri , a student, and Kantola's daughter Annika fall in love, which is not accepted by either of their fathers or Annika's ex-fiancé Tuomas.
Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.
In the year 2024, the ozone layer is believed to have been destroyed, and it's up to MacLeod and Ramirez to set things right. Opposition comes from both the planet Zeist (MacLeod and Ramirez's homeworld) and a corporation profiting from the supposed lack of ozone. Also, flashbacks show the story behind MacLeod and Ramirez's exile from Zeist.
Starts off in the 15th century, with Connor McLeod training with another immortal swordsman, the Japanese sorcerer Nakano. When an evil immortal named Kane kills the old wizard, the resulting battle leaves him buried in an underground cave. When Kane resurfaces in the 20th century to create havoc, it's up to McLeod to stop him.
The story of Michael Berg, a German lawyer who, as a teenager in the late 1950s, had an affair with an older woman, Hanna, who then disappeared only to resurface years later as one of the defendants in a war crimes trial stemming from her actions as a concentration camp guard late in the war. He alone realizes that Hanna is illiterate and may be concealing that fact at the expense of her freedom.
A couple of angels, O'Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O'Reilly and Jackson pursue, hoping to unite the prospective lovers.
Set in the frozen steppes of Mongolia, a young nomad is confronted with his destiny after animals fall victim to a plague which threatens to eradicate nomadism.
Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.