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Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
" And the Cid rode through the gate and into legend " El Cid is the story of legendary Rodrigo Diaz who lifted his country with valour and integrity to drive the Moorish invaders from Spain. I think the best thing I can say about this film is that even though it's nearly three hours long, I never once look at the clock. It's a thoroughly engaging picture that boasts all the great hallmarks of a sweeping historical epic. The colour, the costumes, the scope, and the attention to detail from director Anthony Mann are first rate, and par for the course is the suitably rousing score from Miklos Rozsa. Big square jawed bronzed beefcake Charlton Heston takes the lead role as Diaz, and firmly cements himself as the go to guy for gargantuan epics. Support comes in the form of Sophia Loren, Genevieve Page, Raf Vallone, John Fraser (excellent), and Gary Raymond (also excellent). The story is an excellent one because Diaz was such a fine character from the annals of Spanish history, uniting the sulking Christian kings of Spain whilst simultaneously lifting the people of the streets off their knees and getting them to believe in the cause. However, it has to be said that this is far from the perfect historical epic movie, even allowing for the usual Hollywoodisation of facts, one can't quite get past the fact that El Cid comes across as a glamorised glory tale without any hindrances. Surely here in the 11th century El Cid's path would have been fraught and sodden with a great deal more death and destruction? There's a tameness where there should be serrated edges to the story and it takes away greatly from the film's end because the build up of Cid's heroism actually didn't contain a great deal of hard work - it was a stroll in the park so to speak. Still, it's a wonderful film that ticks all the boxes for genre staples, and as churlish as I may be as regards the assumptive nature of El Cid's story being told here, I'm still the first to start cheering and thumping my chest as the credits role, and not even Sophia Loren's pout can distract me from the bravado warmth washing over me. 8/10
_**Ranks with the best sword & sandal epics**_ In the latter half of the 11th Century when Spain consisted of Christian kingdoms and Moorish strongholds, Castilian knight Rodrigo Diaz de Vivar (Charlton Heston) becomes known as ‘El Cid,’ meaning “the lord,” after generously showing mercy to a couple of Emirs, who orchestrated an attack on a Spanish city. This gets him accused of treason, but he proves his nobility, courage and skill to King Ferdinand (Ralph Truman) and his successors (Gary Raymond, John Fraser & Geneviève Page). Sophia Loren plays his romantic interest while Herbert Lom is on hand as a Berber general hell-bent on Islamic world domination. Raf Vallone appears as Rodrigo’s cunning rival for Jimena’s affections “El Cid” (1961) is curiously obscure compared to other classic sword & sandal epics, like “The Ten Commandments” (1956), “Ben-Hur” (1959) and “Spartacus” (1960), but it’s just as great and on par with the more modern “Troy” (2004), not to mention superior to the overrated “Braveheart” (1995) and “Gladiator” (2000). Even if you disagree with me on those last two films, “El Cid” stands well with any of these epics. I knew enough about Rodrigo’s real-life story to know that the political intrigue gets convoluted and wondered if the movie could keep everything understandable and compelling for the course of three hours; and it does (unlike 2005’s “Kingdom of Heaven”). Just before the drama overstays its welcome a quality action scene manifests, Like Rodrigo’s thrilling duel with Jimena’s father. I also appreciated the subtext of dealing with flawed people in leadership positions and overcoming resentment to have effective working relationships. For those who object to Heston being cast as a Spaniard, the Castilian aristocracy of the 11th Century was generally Visigothic in ethnic background, aka German. Despite the regular influx of people of color ever since, there are plenty of Blond Spaniards to this day, even redheads. (Remember, Spain is decidedly Europe and not Mexico). The film runs 3 hour, 2 minutes, and was shot in Spain with studio stuff done in Rome. GRADE: A
El Cid is “the story of Rodrigo Díaz de Vivar [Charlton Heston] ... a simple man who became Spain's greatest hero. He rose above religious hatreds and appealed to all Spaniards, whether Christian or Moorish [not unlike how JCVD befriended Jews and Muslims in The Order, in which Heston also appears], to confront a common enemy that threatened to destroy their land of Spain.” Rodrigo's unifying work is facilitated by the fact that Moors and Christians have a common language, although this lingua franca is not, as one would expect, Spanish but rather English — apparently the official language not only in the Iberian Peninsula but also in the rest of Europe, and North Africa. I mention this because I can't help thinking that a lot must have been lost — and replaced — in the translation between El Cantar de Mío Cid and this film directed by Anthony Mann; then again, El Cid is not based on the Castilian epic but in the French tragicomedy Le Cid by Pierre Corneille (which explains — but does not justify — that Rodrigo's wife, played by Sophia Loren, is called Chimène and not Jimena). This is a big mistake. The anonymous author of Mío Cid begins his poem in media res, with the exile of the Cid — a point that Mann takes almost two hours to reach, and even then practically in extremis. Everything that happens before this moment can be classified as excess foreplay. Don Rodrigo, on his way to wed Doña Chimène (although in those days even a 27 year old Loren would have presumably been already considered an old spinster), rescues a Spanish village from an invading Moorish army. Two of the emirs, Al-Mu'tamin (Douglas Wilmer) of Zaragoza and Al-Kadir (Frank Thring) of Valencia, are captured. More interested in peace than revenge, Rodrigo escorts his prisoners to Vivar and frees them on the condition that they never again attack the lands of King Ferdinand of Castile (Ralph Truman). For his act of mercy, Don Rodrigo is accused of treason by Count Ordóñez (Raf Vallone). At court, he’s further accused by Chimène's father, Count Gormaz (Andrew Cruickshank), the king's champion. Rodrigo's elderly father, Don Diego (Michael Hordern), calls Gormaz a liar. Gormaz slaps Don Diego, challenging him to a duel. In a private meeting, Rodrigo begs Gormaz to apologize to the elderly but proud Diego. Gormaz refuses repeatedly, so Rodrigo challenges him to a duel and kills him. Chimène witnesses Gormaz's death and swears to avenge him, renouncing her love for Rodrigo. Here the writers really screwed the pooch; I know there was no way that Charlton Heston and Sophia Loren weren’t going to end up together, but how the script goes about it is nothing short of asinine: Rodrigo persuades the King to force Chimène to marry him as payment 'for services rendered.' This approach is reminiscent of Richard III 'wooing' of Lady Anne, or even Henry Fonda’s treatment of Claudia Cardinale in Once Upon a Time in the West; the problem is that those two were the villains of their respective stories, while Rodrigo is supposed to be the hero of this one — and yet, despite everything, Chimène eventually, willingly accepts her status as a trophy wife, because what woman can resist her father’s murderer? Why they didn't just have Gormaz instigate the duel, and have Rodrigo kill him in self-defense, I’ll never understand.
A biographical film of Ben Hogan, from his start as a golf caddy to being considered one of golf's greatest players.
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.
Magdalena and Michael have loved each other since they were children. But when the Nazis come to power, Michael rebels against the regime and is sentenced to fifteen years in a concentration camp. Magdalena, meanwhile, goes underground with the help of a friend and later immigrates to the Soviet Union. Michael, who has joined the Red Army, discovers on the way to Moscow that Magdalena is staying there. But when his plane lands, she is already on her way back to Germany. Michael hopes that one day, he and Magdalena will be reunited.
It is the year 1936 and the Spanish Civil War is raging. When the German commander of an international brigade is badly wounded he gives his five comrades a message which he divides up and secretes into in five cartridges. All five shells must reach the battalion in order for the message to be relayed. But Frenchman Pierre can’t bear the heat of the Sierra. When he leaves their hide-out to drink from a well he is hit by an enemy bullet.
Two 17-year-olds, Werner Holt and Gilbert Wolzow, are pulled out of school and into Hitler's army. Gilbert becomes a fanatical soldier; but at the front, Werner begins to understand the senselessness of war.
A journey through several countries to find those who really know Kim Jong-un, North Korea's leader, in an attempt to profile a contradictory dictator who seems to rule his nation with both disturbing benevolence and cold cruelty while being worshipped as a living god by his subjects in exalted displays of ridiculous fanaticism.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.