War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
**Lazy, laying in the shadow of the original film, doesn't have much merit in itself.** Daniel Petrie decided to take a film that was successful and acquired a certain affection and make a poor sequel. I think almost everyone knows that a sequel to a good movie is almost never as good as the original movie... it could be a cliché, but the truth is that it is something so common that it has become something to watch. Besides, for studios, it's a good way to make money without considerable effort or a big capital draw. What this film offers us is, in short, more of the same, but without any charm. The film leans against the shadow of the predecessor's success and peacefully slumbers in the belief that we will like it because we liked the first film. It didn't work for me. The only thing that makes this movie really worthwhile is the fact that it reunites most of its predecessor's cast. It's worth seeing some of the shenanigans of Don Ameche, Wilford Brimey, Maureen Stapleton and Jack Gilford. You can tell they're having a lot of fun with the project, and that the film, even if it's not brilliant, allowed them to revisit characters they enjoyed playing. The movie works reasonably well thanks to this, and the older cast almost have their own separate sub-plot, but the movie loses out by not going beyond that, thanks to a rather weak script. Steve Guttenberg, for example, is even more uninteresting here than he was in the original film, which is really something relevant. Technically, the film doesn't make any major mistakes or flaws, but it isn't particularly brilliant.
A married couple, unable to conceive, search for a male donor, but jealousy creates problems when the husband spies on his wife while posing as her brother.
Humanity is suffering from a series of mysterious murders across the globe, known as the 'Mincemeat murders'. High school student Izumi Shinichi has a parasite living off him, having replaced his right hand, and he might be the discoverer of truth.
This is the story of Alice Junior, a transgender girl full of life, who wants to give her first kiss, but first, she just wants to be who she really is.
Mollie and James are together and raising a family, which now consists of an older Mikey and his baby sister, Julie. Tension between the siblings arises, and as well with Mollie and James when Mollie's brother Stuart moves in. Mikey is also learning how to use the toilet for the first time.
A veteran-turned-mercenary is hired to take a young woman with a secret from post-apocalyptic Eastern Europe to New York City.
Nick Naylor is a charismatic spin-doctor for Big Tobacco who'll fight to protect America's right to smoke - even if it kills him - while still remaining a role model for his 12-year old son. When he incurs the wrath of a senator bent on snuffing out cigarettes, Nick's powers of "filtering the truth" will be put to the test.
Novalee Nation is a 17-year-old Tennessee transient who has to grow up in a hurry when she's left pregnant and abandoned by her boyfriend on a roadside, and takes refuge in the friendly aisles of Wal-Mart. Eventually, some eccentric but kindly strangers 'adopt' Novalee and her infant daughter, helping them buck the odds and build a new life.
The unborn child of Mamlakat is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her father and brother in a small village in Central Asia. One night she is seduced by an actor from a travelling troupe, who poses as a friend of Tom Cruise, and gets her pregnant. She tries to abort, but her father and brother become determined to find the seducer, setting in motion a cascade of comic adventures.
Jonathan Switcher, an unemployed artist, finds a job as an assistant window dresser for a department store. When Jonathan happens upon a beautiful mannequin he previously designed, she springs to life and introduces herself as Emmy, an Egyptian under an ancient spell. Despite interference from the store's devious manager, Jonathan and his mannequin fall in love while creating eye-catching window displays to keep the struggling store in business.
A pair of well-meaning, but socially inept brothers try to find their perfect mates in order to provide their dying father with a grandchild.