The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
Wicked 2024 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
The Girl with the Fork 2024 - ()
Black Girls 2024 - ()
Freelance 2024 - ()
Sebastian 2024 - ()
Hounds of War 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
**It's not a bad movie, there are much worse out there, and it's good to watch as a family, but it's not as good and as fresh as its predecessor.** After the success of the initial film, it was difficult that there wasn't a follow-up that would somehow try to extract some more money for the benefit of the studios. And as is often the case, the quality of this film is not as good as the original film. In this film, Mollie and James, now married, are expecting a second child, who will be a girl, who they call Julie, and who is born by cesarean section. The film follows the beginning of the relationship between the two brothers, Julie and Mikey, with all the natural conflicts between the two. At the same time, we accompany the adult couple in the midst of a relationship crisis, caused in part by James' bad relationship with his in-laws and by the need to increase the family income, now that there are two babies at home. As in any romantic comedy, everything is bound to end well, between several twists where the comedy, by the way, is predictable and much of what we saw in the first film is recycled and returns, without the initial glow. This is not to say that the film is totally bad. In fact, it's a satisfying comedy that gives us enough to not give up our time for wasted. It's the comparison with what we saw earlier, in the original film, that knocks her down. The humor is still present, and it is not a tiresome film (the proof is in the fact that, thirty years later, it is still present on the TV channel grid, occasionally). And there's no doubt that it's an enjoyable movie to watch as a family. The cast can once again count on the pleasant and well-executed appearances of John Travolta and Kirstie Alley. They also don't seem as committed as they did in the first film, Alley in particular, but they give a pretty satisfying performance. Bruce Willis and Roseane Barr give voice to the two babies and do it in a fun and believable way. Technically, it's as bland and uninteresting as the first film: the cinematography doesn't bring anything new or particularly notable, and the sets and costumes are pretty much what we'd expect to find. The soundtrack is good enough.
Randy Bodek works as a pizza delivery boy at Señor Pizza to make a few extra bucks. Some customers are special, though: When the order is for a pizza with extra anchovies, it means the female customers are looking for some loving. But, as Randy soon learns, life as a professional gigolo can get pretty complicated.
A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.
Halley is convinced true love doesn't exist based on the crazy relationships around her. Her mother is divorcing her father who is dating a younger woman Halley can't stand. Her crazed sister is planning a wedding but has second thoughts and her best friend has fallen madly in love for the first time leaving Halley to feel even more alone.
Romaine, a tall thirty-year-old woman, has not found herself yet. She has been living for several years with her boyfriend Justin. When, overnight, the latter drags her after him to Canada in order to start a new life, she blows smoke. Not only does she hate surprises but she is scared to death of taking the plane. Once in Montréal Airport, she dumps Justin after confessing to him things he would rather not have heard. Her Far North adventures can start...
Diggers is a coming-of-age story directed by Katherine Dieckmann. It portrays four working-class friends who grow up in The Hamptons, on the South Shore of Long Island, New York, as clam diggers in 1976. Their fathers were clam diggers as well as their grandfathers before them. They must cope with and learn to face the changing times in both their personal lives and their neighborhood.
Nackt is the story of three couples, one of which just broke up, one that seems to be about to and one perfectly okay. They are all friends and from time to time they gather to talk about everything.One time they gather for dinner at the second couple's "mansion" - the husband became rich with his business. We see each couple as they prepare themselves for the party and learn a lot about their relationships.At the dinner they get to talking about recognizing each other's peer with closed eyes and decide to try it (thus the title "Nackt"=naked in German).
Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.