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In The Brothers Solomon, John (Will Forte) and Dean (Will Arnett) are two siblings brought up isolated in the Arctic by their widower father (Lee Majors). Returning to civilization as adults, they are baffled by the dating scene. Hilarity is meant to ensue when their father lapses into a coma and they decide to fulfill his dream of a grandchild before it is too late. Unfortunately, The Brothers Solomon is one of the most notable bombs of the last few years, and you're unlikely to find it a worthwhile experience. The camaraderie between the two brothers is similar to DUMB AND DUMBER, but laughs are even fewer. The maturity level here is so low--among the sparse gags is a lot of bathroom humour – that one might believe this film intended for a less than adult audience, but any plot where artificial insemination has a key doesn't seem likely to target a young demographic. I got this movie because I enjoyed Will Arnett's work on Arrested Development and in an infamous Human Giant sketch where he plays a hyperbolic pervert ultimately killed by a sex machine. His acting here is similar to Arrested Development, and may not be all that great, but he's so much better than Will Forte, one of the most unversatile and unlikeable comedians ever cast on Saturday Night Live. Just as the first film adaption of the Fantastic Four, the low-budget production of 1994, was made only to keep a hold on the rights and was never intended to be seen, I really wonder if The Brothers Solomon was produced to give some secret boost to the parties involved even if it were a box office flop.
Lilly's life is perfect until she gets pregnant unexpectedly. Her boyfriend Christian panics making a disillusioned Lilly leave him. She finds comfort with her new neighbour Ulli König, but Christian finds his way back to her. In the meanwhile he developed fatherly feelings and tries to win Lilly back...
Discovering that a woman from their small town in Sicily cheated on her husband, a group of upper class men investigate and try to identify her.
Aspiring young Scottish politician John Shand enters into an unusual agreement with the wealthy Wylie family - if they fund his education, he must marry their daughter, Maggie. Staying true to his word, John weds Maggie and begins a successful career, thanks largely to his savvy wife. The couple's relationship is placed in jeopardy when John faces temptation in the form of the lovely aristocrat Lady Sybil Tenterden.
Various individuals think they’re coming together for a party in a private home, but a series of revelations results in a huge crisis that throws their belief systems – and their values – into total disarray.
Two small-town sisters who've come to New York City for very different reasons find themselves competing for the affections of a brash magazine photographer. Comedy.
To keep the family home from being sold, four very modern March sisters tackle home improvement on their own. But their romantic entanglements involving the boy next door, an old flame and a new acquaintance become a distraction.
Two female doctors – and close friends – work in an obstetrics and gynecology clinic. Jung-yeon is fed up with delivering and aborting babies all day while Hae-seok treats various gynecological diseases.
Composer Gary Stuart (Ray Milland) and his wife, Connie (Jane Wyman), have an argument over her alleged affair with Courtney Craig (Tom Helmore). The Stuarts agree to get divorced, and each tries to move on to a new love: Gary with socialite Deborah Randolph (Karin Booth) and Connie with businessman Frank McGraw (Aldo Ray). However, they start to realize that they still have strong feelings for each other. The Stuarts must make a decision before their divorce is final.
This is the story of three characters (brothers Tomek and Jacek and their neighbor Magda), each of them is in their own way lonely and alienated. The title character makes herself secluded. Tomek's alienation results from his neurological disease, and Jacek contacts the world mainly via the Internet. This is also a film about love. Love of one brother to the other and of one alienated human being to the other. All together it creates a very universal picture with a Polish entourage.
Philipp and Anna live in the Berlin Babyboom-Kiez Kreuzberg. They also like to go to the playground, but with their little niece Nele. Anna does not want to know anything about Philipp's sudden desire to have a baby. She is on the verge of a professorship and insists on the old agreement: kK - no children! The more intently he makes his baby application to his wife, the more obvious is her rebuff.