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A charming mockumentary about a fictional 1920s personality filmed as if cobbled together from old black-and-white footage.
Leonard Zelig is a "human chameleon," but Zelig the film doesn't stop at mimicry. Indeed, this fictional documentary written, directed, and starring Woody Allen differentiates between imitation and parody the same way Hitchcock differentiated between action and suspense. For example, the protagonist's parents used to punish him by locking him in a dark closet. If that were it, the film would simply be copying an aspect of Ingmar Bergman's childhood; Allen's genius lies in adding that when Zelig's parents are really mad, they "get into the closet with him." Zelig's targets go beyond the filmmaker's family, and include the press (“in those days, you'd do anything to sell papers. To get a story, you'd jazz it up, exaggerate, even maybe play with the truth a little bit. But here was a story. It was a natural. You just told the truth and it sold papers. It never happened before"), politicians ("He was selling the same piece of property to a lot of the same people, and... Matter of fact, a congressman from Delaware bought it twice"), psychologists (“I worked with Freud in Vienna. Yes, we broke over the concept of penis envy. Freud felt that it should be limited to women”), and philosophers (“His performance endears him as well to many leading French intellectuals, who see in him a symbol for everything” ). Set in the 1920s and 1930s, the film revolves around Leonard Zelig (Allen), an indistinct man who has the ability to alter his appearance and behavior to fit those of the people around him; e.g., “When two Frenchmen enter, Zelig assumes their characteristics and speaks reasonable French. In the company of a Chinese person, he begins to develop oriental traits;” etc etc. This desire and ability to blend in ironically makes him an outcast; “Zelig's very existence is a non-existence. Devoid of personality, his human qualities long since lost in the confusion of life, he sits alone, silently staring into space, a figure, a non-person... The one who only wanted to fit in, to belong, to go unnoticed by his enemies and being loved, neither fits nor belongs, is supervised by enemies, and remains abandoned”. His protean nature also gives him access to a number of famous people and historical events. In this sense, Zelig is ahead of Forrest Gump, not only in that it precedes it, but also in that it surpasses it. Zelig is disruptive in more ways than one; while Forrest finally fades into the background as a new, Zelig anarchically places his protagonist, much to his own dismay, front and center of the action; in the Vatican he creates commotion by interrupting a ritual that had not been celebrated in “63 years” (while “His Holiness Pope Pius XI tries to swat the intruder with a sacred decree”), and in Germany the greatest irony of all: his "desired immersion in the mass and anonymity" lead the Jew Zelig to join the Sturmabteilung — the original paramilitary wing of the Nazi Party — ruining Hitler’s speech at a Nazi rally ("We couldn't believe our eyes. Hitler's speech was ruined. He wanted to make a good joke about Poland, but just then, Zelig interfered and Hitler was extremely upset").
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.
When eccentric candy man Willy Wonka promises a lifetime supply of sweets and a tour of his chocolate factory to five lucky kids, penniless Charlie Bucket seeks the golden ticket that will make him a winner.
A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
Set In 1926, three friends and struggling child actors in Hollywood search for roles that lead to competition threatening their friendship. Through a series of auditions, conversations, and dances, the film navigates the challenges of child actors in "Hollywoodland" and the importance of friendship despite the forces against it.
Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
Three first year film students break a borrowed camera from their university and try everything in their power to get away with it.
Through the eyes of a British "documentary", this film takes a satirically humorous, and sometimes frightening, look at the history of an America where the South won the Civil War.