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**A sincere tribute to the man and his work, full of bizarreness, humor, artificial octopuses and angora.** I've been wanting to see this for a while now, and the opportunity finally came. Very intelligently directed by Tim Burton, it is a brief biography that honors Ed Wood, reckoned as the worst director Hollywood has ever known (although that title is disputed by other more recent directors). I already knew Ed Wood's work, I've seen one or two of his films, and I can guarantee that his fame is justified: the films are the most amateurish imaginable and the number of errors and problems is such that even the general public saw the director's inability and naïveté. I won't dwell on this point, just add that this film covers the filming of “Glenn or Glenda”, “Bride of the Monster” and “Plan 9 from Outer Space”. As is typical of Burton's films, there is a certain amount of bizarreness which makes the most sincere homage to Ed Wood's work. One notices, implicitly, a certain sympathy or admiration for the director, who never achieved fame (at least, positive) and to whom success has eluded. He is a man with a vision and a dream, but without any ability to achieve it and who, even so, never gave up. Johnny Depp was a smart choice for the protagonist. The actor likes unusual roles and portrayed Wood in a very faithful way, emphasizing his incorrigible and absolutely blind optimism, as well as his habit of dressing like a woman and the problems that caused him in being taken seriously. There is, in the character, a certain bizarre fetish about angora fabrics that I don't know if it was real, but it fit very well. I also really liked Martin Landau, a very respectable veteran who fit wonderfully into the role of Bela Lugosi, the mythical horror actor who was forgotten by the industry towards the end of his life and succumbed to morphine addiction and depression, and Lisa Marie, who played Maila Nurmi, Finnish actress famous for her character Vampira. Sarah Jessica Parker also did an impeccable job as Wood's girlfriend. Jeffrey Jones does a good job as Criswell, a fake psychic famous for his TV appearances. Bill Murray appears little, but does a decent job whenever asked. The film was very well shot in black and white, and I believe this fit better with the spirit of the film, and the way it was designed. There is a beautiful limpidity and the cinematography is very crafted and stylistically rich. The film plays a lot with the difficulties that Wood encountered in filming and promoting his films, and the total amateurism with which he did so, and this is funny and, at the same time, moving. The sets and costumes are excellent, convincing, and the reproduction of the films was well done and honors the originals. The soundtrack, written by Howard Shore, does the rest and gives the film a bizarrely delicious tone. Finally, a word about the opening and ending of the film, in a style magnificently suited to cheap horror productions of the time.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.
Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir, which is not easily accepted by the town yet the choir builds a great love for their teacher.