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It is poor old "Sylvain" (Simon de La Brosse) that I felt sorry for as he takes a bit of a shine to the visiting "Pauline" (Amanda Langlet) only to find himself swiftly embroiled in a tangled web of infidelities, lies and deceit. Much of that emanates from her cousin "Marion" (Arielle Dombasle). She is on the verge of divorce and just wants to spend some time au bord de la mer in peace and quiet. That plans pretty much hits the skids on day one when she meets her ex-boyfriend "Pierre" (Pascal Greggory) and his pal "Henri" (Féodor Atkine). What now ensues sees both of these men make a play for "Marion". The former with a more serious intent, the latter quite happy for the cinematic equivalent of a quickie. "Marion" is of her own mind here, though, and doesn't really play ball with either and all of these shenanigans impact quite profoundly on the young "Pauline", especially as she starts to become fond of "Sylvain" only to find that faith rocked by some of the game-playing from the competing "Henri" and "Pierre" as she has to do some premature growing up. At times this is a little over-contrived, with that sense that if something can go wrong it will or if it's vital that a person doesn't turn up just at that moment, then you just know they will - and that's a bit annoying on occasion as it tends to undermine just a little too much of the drama here. That said, it's still quite a different coming-of-age style of story that isn't limited to the maturing of the younger members of the cast. Langlet delivers delicately here and Greggory does get a bit under your skin as both men seek the attentions of a woman who's generally quite tired of the fickle attitudes of the men around her and "Pauline" just gets increasingly fed up.
At Christmas time, 19-year-old Simon returns home to visit his dysfunctional family with Louise, a fearless girl he met during his train ride. While Simon struggles to cope with the growing distance between him and his parents, he starts to examine his feelings when Louise develop a liaison of her own with his childhood friend Mathieu.
Narcisus and Psyche is based on a novel by Sandor Weores which was adapted by Vilmos Csaplar and director Gabor Body for a feature-length film. Borrowing the character of Psyche from mythology and placing her in Europe in the 19th century, the authors give her a "modern" life. She is an attractive young woman - and remains so throughout the film, in spite of one hardship after another. Psyche is libidinous, and her prurient interests shock her staid contemporaries.
A tale of a philosophical womanizer who is forced to question his seemingly carefree existence.
Two stoners wake up after a night of partying and cannot remember where they parked their car.
The Grinch decides to rob Whoville of Christmas - but a dash of kindness from little Cindy Lou Who and her family may be enough to melt his heart...
A message from Jim Morrison in a dream prompts cable access TV stars Wayne and Garth to put on a rock concert, "Waynestock," with Aerosmith as headliners. But amid the preparations, Wayne frets that a record producer is putting the moves on his girlfriend, Cassandra, while Garth handles the advances of mega-babe Honey Hornée.
When she receives word that her longtime platonic pal Michael O'Neal is getting married to debutante Kimberly Wallace, food critic Julianne Potter realizes her true feelings for Michael - and sets out to sabotage the wedding.
When a young widow's magic scarf brings a dashing snowman to life, can he help her rediscover romance, laughter and holiday cheer before he melts away?
Best friends Deco and Naldinho co-own a cargo boat in Brazil's Salvador da Bahia. They give a ride to a sultry prostitute named Karinna, and soon both men fall prey to her considerable sexual charms, pushing the bounds of their friendship to the limit.
Dealing with a sociopathic school bully, three high school freshmen hire a low-budget bodyguard to protect them, not realizing he is just a homeless beggar and petty thief looking for some easy cash.
