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Really good watch, will eventually watch again, and can recommend, but less so for younger audiences. I never remembered all the weird adult humor in this, it is usually just the charming grinchiness of Jim Carey's overacting that sticks with me, and maybe the Christmas spirit of Mary Lou Who. The movie manages to ride this wonderfully line between keeping the spirit of the book (even rhyming at times) and being new and refreshing, but it does do that by playing to the adults that would have read the book as a child rather than endearing a new generation of children, but I think they intended to try to do both. Jim Carey embodies the Grinch like no one else possibly could (I think Mike Myers proved that in "The Cat in the Hat"), and that is the majority of this so if you don't enjoy him, then you won't enjoy this movie. I do think they added some refreshing character interactions, though some of the execution is much better than others. While it is far from a perfect movie, my biggest gripe is their stupid noses: it seriously bothers me the entire movie. It bothers me more than them dressing the Grinch, which points out that he is naked a LOT with his "co lead" being a young girl: you can see it just distracts from the spirit of the movie. I don't think that everyone is going to love this movie, but it's hard to imagine that people will hate it.
Really good watch, will eventually watch again, and can recommend, but less so for younger audiences. I never remembered all the weird adult humor in this, it is usually just the charming grinchiness of Jim Carey's overacting that sticks with me, and maybe the Christmas spirit of Mary Lou Who. The movie manages to ride this wonderfully line between keeping the spirit of the book (even rhyming at times) and being new and refreshing, but it does do that by playing to the adults that would have read the book as a child rather than endearing a new generation of children, but I think they intended to try to do both. Jim Carey embodies the Grinch like no one else possibly could (I think Mike Myers proved that in "The Cat in the Hat"), and that is the majority of this so if you don't enjoy him, then you won't enjoy this movie. I do think they added some refreshing character interactions, though some of the execution is much better than others. While it is far from a perfect movie, my biggest gripe is their stupid noses: it seriously bothers me the entire movie. It bothers me more than them dressing the Grinch, which points out that he is naked a LOT with his "co lead" being a young girl: you can see it just distracts from the spirit of the movie. I don't think that everyone is going to love this movie, but it's hard to imagine that people will hate it.
I'm not gonna lie, this version of the Grinch scared the crap out of me when I was a kid! But as I got older I started to get use to it. The trick was to just listen to the whole thing without looking at it and gradually (each year take a peak).
At first I didn't like this movie. It's one of my daughters favorites tho. So she would always want to watch a lot around Christmas time. Now I don't mind it and it's like a Christmas tradition for us now to watch this movie.
This is my favorite version and has been my favorite since I was a small child.
**A movie about Christmas, and about the way we face it.** For starters, I must clarify that I have never seen any other material about Grinch, much less the original book where this character was created. I will judge this movie for what it is, without weaves comparisons. He is not my Christmas favorite, never was, I even think it is a little scary for smaller children, given the mischiefs and attitude of Grinch. But it has a good story, good dialogues and other qualities. What is Christmas? Many will say that's the family or children's party. I accept, but in fact, it is the symbolic date that the Catholic Church marks the birth of Jesus. No one knows when Jesus was born, but the Church chose the date for convenience, coinciding the feast with an older pagan celebration, Saturnalia. For centuries, Christmas was just a festive day when Catholics confessed themselves, listened to Mass and ate fish (the consumption of meat and candy is forbidden on holy days, even though the elites did, by paying cash indulgences... in my country it's still tradition to eat codfish in Christmas Eve). The "invention" of modern Christmas happened in the late nineteenth century, with capitalism, and the creation of toy industries and food industries that allowed the middle classes a more interesting supper and the gift for children, offered to them by Baby Jesus and, later, for the invented character of Father Natal (in Spain, this exchange of gifts is only made on the day of kings in January, what I think makes full sense). This is how, in England, Germany and the US, Christmas became more commercial, more focused on consuming, gift distribution and conviviality, and the religious aspect was putted in the background. This movie, released in the 1980s, shows us an evil character who learned to see Christmas as futile due to this obsession with toys, gifts and food. He does not know how to express this in the best way, he's unaware that behind this is a greater meaning, but what Grinch rejects is precisely this "commercial Christmas." And I couldn't agree more with him… So, through his mischiefs, Grinch will help people to rediscover the meaning of Christmas, even if this is not his real purpose. This is the beauty of this story, for me: Grinch will help the Whoos while they will help him to understand that Christmas is more than gifts or food. Directed by Ron Howard, a director whose credits do not require presentations, the film is very well done and was a gigantic box office hit and critical success. It became a Christmas classic, although today it is not so popular. With no dead moments, it has an excellent pace, it does not lengthen too much, it is not tiring, and the script does what it needs, although with various flaws and several jokes that are not working. I liked, in particular, the narrator's interventions and rhymes, something that reinforces the idea that this is a children's story. Cinematography is amazing, with vibrant and flashy colors, and the soundtrack, not being memorable, has good qualities. Jim Carrey did very well in accepting the difficult task of bringing Grinch to life. I can only imagine how boring it was for him to be subject to that make-up routine every day, but it was totally worth the time and sacrifice: he's unrecognizable and absolutely credible and authentic under that thing, and has a natural gift to model the voice as he wants and suits to the character. Sir Anthony Hopkins also deserves praise for his participation, having lent his voice to the narrator. The rest does a positive job, but merely supports Carrey in its task of building the movie around it.
To save her parents' small-town nightclub, a Broadway dancer stages an all-male, Christmas-themed revue — and meets a guy with all the right moves.
On a Mediterranean cruise, Earl Tinker, a manufacturer of razor blades, is the target of a femme fatale in the pay of a business rival, and he becomes embroiled in a feud between two Arab tribes.
Join Barbie and her sisters Skipper, Stacie and Chelsea as their holiday vacation plans turn into a most unexpected adventure and heartwarming lesson. After a snowstorm diverts their plane, the girls find themselves far from their New York destination and their holiday dreams. Now stranded at a remote inn in the tiny town of Tannenbaum, the sisters are welcomed by new friends and magical experiences. In appreciation for the wonderful hospitality they receive, they use their musical talents to put on a performance for the whole town. Barbie and her sisters realize the joy of being together is what really makes A Perfect Christmas!
Still scarred by the trauma he endured as a child at the Overlook Hotel, Dan Torrance faces the ghosts of the past when he meets Abra, a courageous teen who desperately needs his help - and who possesses a powerful extrasensory ability called the "shine".
Based on the idea by Roland Topor (screenwriter of Roman Polanski's The Tenant), this very curious completely silent melodrama tells the story of Mona, who has left her father, the railway gatekeeper, after being raped on the train track. She is kidnapped and taken to a Parisian whorehouse. However, a disinherited prince, Dudu who tries to rescue her, is himself kidnapped and forced to serve as a male prostitute. The two captives meet there and fall in love. They are taken away by different rich people - he to an Arab "harem," she to a surgeon's home.
A Christmas elf accidentally takes off in Santa's sleigh, crash lands in a small town, and loses the magic toy bag. Beethoven must rescue the elf, recover the bag from greedy crooks, and return the sleigh to Santa in time to save Christmas.
Tim Madden awakens one morning to discover a fresh tattoo on his arm, his car covered in blood, his girlfriend in bed with the town sheriff, and a woman's severed head in his weed stash. Sensing a setup and in desperate need to clear his name, he begins an investigation that soon begins to expose a web of corruption in the small coastal community of Provincetown.
An anthology feature film that puts a uniquely dark and original spin on some of the most iconic and beloved holidays of all time by challenging our folklore, traditions and assumptions.
When 13-year-old Allie Thompson and her best friend Sam happen upon a weather-making machine discarded by none other than Santa Claus, they use it to cause a snow day in Los Angeles. But when the machine gets out of hand, it threatens to ruin Christmas.
A young girl named Addie, living in Nebraska in 1946 wants nothing more for the holidays than a Christmas tree, but her widowed father, is bitter and refuses due to events from the family's past.