When the paperhangers go on strike, guests at a newlyweds' housewarming party try to finish the job with disastrous results.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
This atmospheric short film features a restless, meaning-seeking urbanite who suddenly faces everything she hates: a forced wait, heat, thirst, boredom, and jealousy. She's on a road trip to her inner demons.
Washed up actor Don Knotts shows up on the back lot of Universal Studios in Hollywood, California in hopes of landing a role in the new Disney movie, Newsies. Unfortunately director Kenny Ortega quickly dismisses Mr. Knotts and has him thrown off the lot. Mr. Knotts is quite upset by the turn of events, so decides to go on a killing spree, believing that if he can't have a role in the movie no one can. He knocks off one newsie after the next, each in a different and unique way.
Infelicitous Stephen Wallace falls in love with beautiful Wendy, who spurns his affections. He proceeds to make a pact with Satan to be able to marry the woman of his dreams, but he gets more than he bargained for.
A Happy Mart employee is swept up in a late night street fight only to find the mysterious woman is looking for a partner in crime.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.