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Summoned from the pool for his dinner, "Zonker" watches a bit of "Thudpucker" on the television before settling down to a dinner prepared by "Mike" that might just be lasagne. It's an extension of this quizzicality that starts to evaluate the changes in society that have occurred since their earlier lives sharing just about everything. Is that era truly finished? Is that even their concern any more? What is worth fighting for nowadays? Steeping in more reminiscences accompanied by some sort of Bob Dylan-esque folky ballads, we take a trip (literally, I think) into their tear-gassed past; play some American football and listen to an increasingly meandering, anodyne and frankly quite annoying tirade of dialogue that I found just a bit too contrived and not at all funny. Spaced out or timed out? I didn't really care after ten minutes of this overlong depiction of things "totally incoherent". It might well resonate better with US audiences, but not being one of those I found it all a bit facile. Sorry, but my heart and mind was elsewhere, especially when it went into philosophical crêche mode followed but the worst parody of a nativity play I've ever experienced. As ever with Hubley animations, there is a quality of animated continuity that cleverly reflects the narrative - there's just way too much of that chat.
Special "back-side" (ura) short which features the background story from the party's side instead of Jil's.
L'Echarpe is the classic story of man, woman, and scarf which unfolds in this imported French short showcasing the Steven Alan Spring 2012 line.
The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.
Cinderella has to stay home while her evil stepsisters go to the ball. You know the rest except everyone here is a penguin (even the mice that become the "horses") and the lost slipper is more like a swimming flipper.
Oscar nominated animated short film from 1983. A blind boy visualizes what he hears and experiences on a regular basis.
A mentally unhinged factory worker must decide whether to listen to his talking cat and become a killer, or follow his dog's advice to keep striving for normalcy.
The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.
Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.
Taped at Los Angeles’ iconic Orpheum Theatre, this staged presentation of The West Wing’s “Hartsfield’s Landing” episode stars core cast members along with special guest stars. Act Breaks feature commentary from former First Lady Michelle Obama, President Bill Clinton and Lin-Manuel Miranda who share messages about the vital importance of making our voices heard in every election.
A sixth grader takes a trip with his best friend to a local flea market to buy his first fake chain in order to impress his crush.
