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Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.
Turmoil becomes the order of the day when a Mexican theatrical company begins its rehearsals of absurdist philosopher Albert Camus's “Caligula” for an influential upcoming international theater festival.
An outlaw pushes the residents of Edo's red light district to rebel against a growing number of stifling, moralistic laws.
Much Ado About Nothing is a comedic play by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the First Folio, published in 1623. Much Ado About Nothing is generally considered one of Shakespeare’s best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics. Like As You Like It and Twelfth Night, Much Ado About Nothing, though interspersed with darker concerns, is a joyful comedy that ends with multiple marriages and no deaths. Also known as "Globe on Screen: Much Ado About Nothing".
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, and based on the Italian short story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. The work revolves around four central characters: Othello, a Moorish general in the Venetian army; his new wife, Desdemona; his lieutenant, Cassio; and his trusted ensign, Iago. Because of its varied and current themes of racism, love, jealousy and betrayal, Othello is still often performed in professional and community theaters alike and has been the basis for numerous operatic, film and literary adaptations.
Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.
Steven Berkoff's iconic adaptation of Franz Kafka’s novella, which tells the tale of a traveling salesman who is transformed into an insect, is brought to life in this highly physical and visually striking production. Captured live at the Parco Theater in Tokyo, this landmark performance is in Japanese with English subtitles. Considered one of Berkoff’s masterpieces and performed multiple times since it first appeared in 1969, Metamorphosis combines elements of sound, physicality and minimalist design to recreate Kafka’s absurdist world on stage.
A tiny theatrical company turns into a war zone of egos as a new play goes into rehearsal in this broad comedy from Sweden. A camera crew from a television outlet is on hand to shoot a commercial as a harried director tries to put her cast through their paces. Not everyone, however, feels like cooperating; her two leading men seem to be competing over who gets most of the spotlight, much to the annoyance of the female star, while the troupe's makeup artist has a plan of his own.
A film based on the 1890s play of the same name, The Village Postmaster surrounds a love triangle and the implications of love, deceit, and fraud.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.