The Village Postmaster

A New York stockbroker introduces a girlfriend to his buddy from out of town, then regrets it.

At the Seisho Music Academy, the 99th Graduating Class is rehearsing for the annual production of the theatrical play, Starlight. Behind the scenes, however, an underground "Revue Starlight" audition, orchestrated by a talking giraffe, pits the students against each other in stage battles in order to shine as the top star. Karen Aijō, upon being reunited with her childhood friend Hikari Kagura, comes across these auditions and battles to become the top star alongside Hikari.

“I never got to feel the warmth of a loving family.” That is what Seishiro notes down in 1948, who was adopted as a child by the idealistic Eichiro. In 1980, Izumi works at a bank and she lives with her mother Ito. Twenty-two years later, in the evening on a winter night and the day before Izumi is to marry, her mother tells Izumi about her late father's dream, Seishiro. Her father's dream was of Izumi's marriage. Izumi reminisces about her loving father. What happened in the meantime? In reversed chronological order this movie tells a story about a man who had much to give and what he got in return.

Life is a tread pod in the eyes of infinity, making lemonade out of the lemons thrown on us by life is the best gleam. Love on the other hand is undiluted when imagining and sweet when given and received. Dikachi a young lady who was so afraid of falling in love met an adventure, and she couldn't believe what was calling in her heart, but when Love flashed its light, it became invincible.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

An eccentric screenwriter, oblivious to the misogynistic nature of his script is given an ultimatum by a feminist film producer.

A love story set against the backdrop of a war.

Bathed in the gentle embrace of a rainstorm, Nathan, stirred by an intimate moment with Alex, finds himself compelled to voice the currents of his inner discontent. Amidst the flickering city lights, their souls diverge—one yearning for a love that transcends the physical, the other finding solace in the realm of corporeal passion. Can they navigate the intricate labyrinth of their desires and break free from this cyclical discord, or are they fated to bring a sorrowful conclusion to their tumultuous relationship?

Christine attends her first and last prom accompanied by Martin Fredericksen