A Film Noir

Tano works for Manuel, a businessman who’s made his fortune in the construction sector and who has a tight network of friends in local government who help him carry out his business safely, in exchange for making sure that the drugs enter and leave the city without causing any violence or making any noise. Tano knows that the golden era is long gone. Now, he’s 54 and struggling to make ends meet. His mission is to keep the drug-trafficking business from Morocco under control and to make sure the money keeps flowing, but someone has brought some samples of a new drug into the city and its effects are devastating, causing the local junkies to go completely crazy. Angel, Manuel’s son and heir to his business empire, is convinced that if they start dealing this new drug, they could go back to making the millions they were before the economic crash.

Architect/vigilante Paul Kersey arrives back in New York City and is forcibly recruited by a crooked police chief to fight street crime caused by a large gang terrorizing the neighborhoods.

A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.

A country boy becomes the head of a gang through the purchase of some lucky roses from an old lady. He and a singer at the gang's nightclub try to do a good deed for the old lady when her daughter comes to visit.

An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.

An arrogant reporter exploits a story about a man trapped in a cave to revitalize his career.

A private detective foils the plans of villains attempting to take over Panamanian oilfields when he hides a valuable map in plain sight.

The proprietor of an ice-skating revue promotes a peanut-vendor to a management position based on suggestions he made to improve the act of the show's star, who also happens to be the owner's wife. However, he soon begins to notice that his new manager is paying more attention to his wife than he believes is appropriate.

Genial shopkeeper Philip has to endure the constant nagging of a shrewish wife while he secretly yearns for a pretty young stenographer. When the henpecking gets to be too much, Philip murders his wife and manages to make her death look like an accident. A ruthless blackmailer and a low-key detective both discover Philip's secret, and he has to decide which of them poses the more dangerous threat.

Bill O'Brien is promoted to lieutenant in the police department for his arrest of Mike Patello, gang leader and racketeer, for murder. Ruth Dale, who loves Bill, is concerned when her brother, Johnny, who witnessed the murder, proposes to testify against the racketeer. Meanwhile, Captain Antrim informs Bill that his father has just been released from prison and does not know his son is a policeman. On the way from prison, O'Brien (J. P.) meets Limo, a former cockney pal who recognizes Bill and keeps J. P. from seeing his son; later, J. P. arrives intoxicated and is enraged, forcing Bill to knock him unconscious. J. P. is arrested for robbery but returns the loot to save his son from disgrace; Johnny is killed before testifying against Patello, who is released but confronted by J. P., who proves his guilt and, when he struggles with the police, kills him. Bill plans to resign, but confident of Ruth's love, he decides to remain on the force.

It's a deadly play for power when a Mafia chieftain's top gun goes straight and threatens to testify against the big boss and his cruel, nationwide network of crime. The picture, which was shot in a semi-documentary style, was inspired by the Kefauver investigations of 1950-51.