Engineered Transparency: Glass in Architecture and Structural Engineering

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

In the heart of the Jordanian desert, the ancient city of Petra is full of mysteries. How was this architectural wonder created over 2,000 years ago? The technical prowess of Petra, an ancient city in southern Jordan, which was a wonder in the middle of the desert.

Three restoration students and scholars from all over the world meet in a Palladian villa in view of a conference on Palladio. Meanwhile, in the United States of America, a young university professor asks his mentors, Kenneth Frampton and Peter Eisenman, how to be able to transmit Palladio's humanistic values to the new generations.

The construction of the Obelisco in Buenos Aires, Argentina.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

A native of the capital of Catalonia, the architect-urban planner, to whom we owe the Saint-Honoré market in Paris and the Donnelley Building in Chicago, speaks of Barcelona with infectious passion. "It's a unique city, difficult to understand with conventional diagrams, he explains, criss-crossing the main arteries of the city". It is an unfinished city, constantly changing, where everything has the charm of the unfinished". With a sharp eye, Ricardo Bofill observes and comments on volumes and scrolls. Standing, in the nave of the Sagrada Familia, arms outstretched, it pivots on itself as if to take in space. "You have to have your eyes wide open, move quietly, and at the same time remember what's behind. This is how we have the sense of space. Otherwise this art does not exist."

"Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture" focuses on the construction boom in the United States after World War II. Sometimes considered cold and unattractive, mid-century modern designs were a by-product of post-war optimism and reflected a nation's dedication to building a new future. This new architecture used modern materials such as reinforced concrete, glass and steel and was defined by clean lines, simple shapes and unornamented facades.

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.