Así Nació el Obelisco

Dating from 1932, this footage is a relic filmed by British explorer Nelson Castle during an expedition to the south of South America.

A portrait of Argentine libertarian politician Javier Milei.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Urban architecture as seen through the eyes of four female veterans in the field.

Through the second half of the 1960's the Beat movement and the first National Rock were the flagship of the youth, leaders as never before of a society in transformation. The formation of the first bands, the venues for concerts, the difficulties to sing rock in Spanish and interact with other artists create new ways to communicate previously unavailable. This documentary presents the story of these first pioneers of the Argentinean rock music.

La Sagrada Familia – although still under construction in Barcelona – is a cathedral without any flaws. Almost 100 years after his death, experts are convinced that Gaudi was a mathematical genius and that each embellishing ornament of the Sagrada Familia actually serves an architectural purpose.

What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.