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Whilst this is a really quite good looking version of the Shakespeare tragedy, it's the overly wordy adaptation that drags it down. What director Charlton Heston and his writing team seem to failed to appreciate is that much of the original text was designed to complement the simplicity of the stage. With an whole gamut of visuals for us to enjoy, much of the original dialogue is rendered superfluous, and abridging that is the challenge that fails this production. Essentially, it picks up just after the assassination of Julius Caesar with Lepidus (Fernando Rey), Octavian (John Castle) and Marc Antony (Heston) managing an easy truce so they can deal with Pompey (Freddie Jones). Octavian is also nervous about Antony and so suggests that he marry his sister Octavia to create a stronger bond between them and also to irritate the other player in this game. Cleopatra (Hildegard Neil) has also moved on from Julius and Antony is very much in her grip. Now he has some egg shells to tread upon as she reacts to his new nuptials and he realises that maybe together than are strong enough to redraw the map of the Roman world. It doesn't really try very hard to present us with grand scale battle scenes, but instead uses some quick-cut editing to illustrate conflict interspersed with dialogue and the odd action shot. At times that's quite effective, but most of this film just looked like a vanity project for a star very much engaged with the original work but without really much idea as to how best to deliver it engagingly on the screen. His casting of Neil is a bit hit and miss, and his own tendency to lingering shots to camera rather slow this to a snails pace. Castle does well as the softly softly Octavian as does Eric Porter as Enobarbus, but otherwise this is all just a bit long and unremarkable.
Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France. But the ambitions of this charismatic king are challenged by a host of vivid characters caught up in the real horrors of war. Henry V, which opened the new Globe with the words ‘O for a muse of fire’, celebrates the power of language to summon into life courts, pubs, ships and battlefields within the ‘wooden O’ - and beyond.
Sir Alec Guinness, Sir Ralph Richardson and Joan Plowright star in this merry on-stage mix-up of identity, gender and love in Tony Award-winner John Dexter’s production of William Shakespeare’s Twelfth Night. Originally broadcast on Britain’s ITV, this classic performance captures all the slapstick, puns and double entendres that have amazed and amused audiences for over four hundred years.
Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery.
A 1965 BBC adaptation of William Shakespeare's first historical tetralogy (1 Henry VI, 2 Henry VI, 3 Henry VI and Richard III), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. It was based on the 1963 theatre adaptation by John Barton, and directed by Peter Hall for the Royal Shakespeare Company.
Memorably set between the two world wars, this adaptation of Trevor Nunn's award-winning 1999 Royal National Theatre production of The Merchant of Venice features a superlative performance from Henry Goodman as Shylock.
Don Warrington stars as the tragic monarch in this acclaimed version of the Shakespeare play recorded at the Royal Exchange Theatre in Manchester.
After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.
The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
In the first century, after the death of Herod the Great, Judea goes through a long period of turbulence due to the actions of the corrupt Roman governors and the internal struggles, both religious and political, between Jewish factions, events that soon lead to the uprising of the population and a cruel war that lasts several years and causes thousands of deaths, a catastrophe described in detail by the Romanized Jewish historian Titus Flavius Josephus.